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	<title>RadikalChick &#187; stage</title>
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		<title>on The Male Voice</title>
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		<pubDate>Mon, 08 Jun 2009 23:07:03 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Filipino male]]></category>
		<category><![CDATA[gender and masculinity]]></category>
		<category><![CDATA[gender studies]]></category>
		<category><![CDATA[masculinity studies]]></category>
		<category><![CDATA[New Voice Company]]></category>
		<category><![CDATA[stage]]></category>
		<category><![CDATA[The Male Voice]]></category>
		<category><![CDATA[theater]]></category>

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		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer yesterday, June 8 2009, Arts and Books Section. It begins simply enough, with four chairs, four small tables, and two clothes racks onstage. The moment the actors begin the first monologue “I Am Man” though, it becomes clear that this is going to be more complex than that stage and its four actors. Because there is more to making a powerful and revolutionary play than just being inspired by&#8230;<a class="moretag" href="http://www.radikalchick.com/on-the-male-voice/"> Continue reading&#160;&#187;</a>]]></description>
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