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The risk any theater adaptation takes is the fact of intertextuality. One person will enter the theater with no knowledge whatsoever of the theatrical context(s) of the play she is about to see. That person may be seated next to a theater scholar, adept in drama theories and well read on dramatic texts. At the back row are audience members who are just there for the ride, with no real interest in theater, but are there because one of the lead… Continue reading »