Tag Archives: philippine indie

Monday ∗ 22 Nov 2010

Layang Bilanggo frees us from the indie!

the discussions and debates on local indie films come from a place of uncertainty and spectatorship: who views these films, and therefore are we making them for those viewers? is the prevalence of sex and poverty and violence in the indie something that’s overly used to feed the first world’s need to validate themselves?  after all to insist on seeing the bowels of third world Philippines and saying bravo bravo! could also mean yehey! they’re still as poor as we’d… Continue reading »

Wednesday ∗ 17 Nov 2010

the saddest of dreams in Ang Damgo ni Eleuteria

on the surface, there isn’t much to deal with in the movie Ang Damgo ni Eleuteria written and directed by Remton Siega Zuasola (Panumduman Pictures). it is the story of Terya and her family’s struggle with her impending departure for Germany to marry an old man found through a mail-order bride service in her province of Cebu. the struggle begins and ends in Olango Island where she and her family live, one of those islands that’s removed from the cities that are familiar… Continue reading »

Thursday ∗ 11 Nov 2010

redefining the Pinoy action movie: or in love with Ishmael

now I never like disclaimers before watching a movie, and usually don’t read reviews beforehand either. but boy, wasI thankful director Richard Somes introduced his film by saying (among other things) that this was his homage to the Pinoy action film ala FPJ, Ramon Revilla, Dante Varona. of course it still wasn’t enough to prepare me, at least not for the gore. because if there is one spoiler I will give you before you go and watch Ishmael, it’s that prepare… Continue reading »

Sunday ∗ 11 Apr 2010

When Indie Fails

a version of this was published in the Philippine Daily Inquirer, April 7 2010. There are many things to say about the movie Red Shoes (directed by Raul Jorolan, written by James Ladioray), but it’s definitely not that it’s the year’s first best movie. Because this is nowhere near as good as Unitel Pictures’ other films (Inang Yaya, Pinoy Blonde, La Visa Loca, Crying Ladies), and nowhere close to being great at anything. In fact, to a certain extent, it… Continue reading »

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