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	<title>RadikalChick &#187; Bienvenido Lumbera</title>
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		<title>the revolution cannot be staged</title>
		<link>http://www.radikalchick.com/the-revolution-cannot-be-staged/</link>
		<comments>http://www.radikalchick.com/the-revolution-cannot-be-staged/#comments</comments>
		<pubDate>Wed, 06 Oct 2010 00:45:52 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
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		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Ayen Munji Laurel]]></category>
		<category><![CDATA[Banaag at Sikat]]></category>
		<category><![CDATA[Banaue Miclat]]></category>
		<category><![CDATA[Bienvenido Lumbera]]></category>
		<category><![CDATA[cultural center of the philippines]]></category>
		<category><![CDATA[musicale]]></category>
		<category><![CDATA[pinoy rock]]></category>
		<category><![CDATA[rock 'n' roll]]></category>
		<category><![CDATA[rock opera]]></category>

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		<description><![CDATA[I had high hopes for Banaag at Sikat, The Rock Opera, a promise of good music and singing, a contemporary retelling of Lope K. Santos’ original novel on the winds of change that would bring the country to revolt against the overwhelming conditions that capitalism and feudalism wrought on the nation. But as it began with fake guitar playing between friends Delfin (Al Gatmaitan) and Felipe (Roeder Camañag), attached to what then becomes a fake amplifier, and with dancing from a&#8230;<a class="moretag" href="http://www.radikalchick.com/the-revolution-cannot-be-staged/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>On Lumbera&#8217;s Plenary</title>
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		<pubDate>Fri, 02 Mar 2007 05:00:00 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Bienvenido Lumbera]]></category>
		<category><![CDATA[footnotes]]></category>
		<category><![CDATA[Philippine literature]]></category>
		<category><![CDATA[translating culture]]></category>
		<category><![CDATA[translation]]></category>

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		<description><![CDATA[“National Artist Bienvenido Lumbera reaffirms Asian identities in the national languages, as Int’l Literature Conference closes” This was a most fitting end. After two days of plenaries and panel sessions that talked about particular aspects of a very diverse set of cultures within Asia, Filipino National Artist Bienvenido Lumbera tied everything together by highlighting our dependence on, and thus the importance of, translation in his paper entitled “The Necessity of Footnotes: Translating the Culture.” In light of the various languages&#8230;<a class="moretag" href="http://www.radikalchick.com/on-lumberas-plenary/"> Continue reading&#160;&#187;</a>]]></description>
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