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	<title>RadikalChick</title>
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		<title>Malacanang&#8217;s miscommunications team strikes again!</title>
		<link>http://www.radikalchick.com/malacanangs-miscommunications-team-strikes-again/</link>
		<comments>http://www.radikalchick.com/malacanangs-miscommunications-team-strikes-again/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 17:44:48 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[communications office]]></category>
		<category><![CDATA[Inside Malacanang]]></category>
		<category><![CDATA[Malacanang]]></category>
		<category><![CDATA[PNoy]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3903</guid>
		<description><![CDATA[in September of last year, in a conversation about the PNoy government that was riddled with questions from a British filmmaker newly met, i found myself talking about the disappointment that is Malacanang. the palace with a three-headed communications office that takes pride in being connected to the people, and yet has proven time and again to be releasing either the wrong information, too much information, or just not speaking up when it should. that conversation led to many things, though&#8230;<a class="moretag" href="http://www.radikalchick.com/malacanangs-miscommunications-team-strikes-again/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>criticism interrogates, questions, shatters</title>
		<link>http://www.radikalchick.com/criticism-interrogates-questions-shatters/</link>
		<comments>http://www.radikalchick.com/criticism-interrogates-questions-shatters/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 21:35:15 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[eli guieb]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3900</guid>
		<description><![CDATA[from &#8220;on criticism&#8221; by eli guieb: Criticism shatters.  It shatters the shibboleths of our silenced lives, the deep silences about the wrongs of society.  To challenge those silences has often come to mean courting tragedy.  Criticism challenges those silences.  It breaks silence free from its silence.  It proffers breakthroughs that break down debilitating silences, and, in the process, rejoices in the breakdown of unwanted silence.  Criticism is not about answers.  It is about questions.  The aim of criticism is to offer sheaf after sheaf of provocative questions&#8230;<a class="moretag" href="http://www.radikalchick.com/criticism-interrogates-questions-shatters/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>in the end, it is just about love</title>
		<link>http://www.radikalchick.com/in-the-end-it-is-just-about-love/</link>
		<comments>http://www.radikalchick.com/in-the-end-it-is-just-about-love/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 07:40:55 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Bart Guingona]]></category>
		<category><![CDATA[Next Fall]]></category>
		<category><![CDATA[Pinoy theater]]></category>
		<category><![CDATA[Repertory Philippines]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3893</guid>
		<description><![CDATA[It’s easy to dismiss “Next Fall” by Geoffrey Nauffts as another gay play, as another one of those that romanticize the narrative of love that is different, because it’s not heterosexual. But that would be to miss out entirely on what else is unfolding in front of you as spectator, it would be to miss out on the nuances that’s in the rest of this narrative’s necessary transformation of the ways in which we might view homosexuality on the one&#8230;<a class="moretag" href="http://www.radikalchick.com/in-the-end-it-is-just-about-love/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>declared absences in nothing to declare</title>
		<link>http://www.radikalchick.com/declared-absences-in-nothing-to-declare/</link>
		<comments>http://www.radikalchick.com/declared-absences-in-nothing-to-declare/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 16:56:14 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Hanna Pettyjohn]]></category>
		<category><![CDATA[Nikki Luna]]></category>
		<category><![CDATA[Nothing to Declare]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[Yuchengco Museum]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3883</guid>
		<description><![CDATA[What might not have occurred to anyone who saw the call for submissions for the project “Nothing to Declare” was how big it could be. And when I say big, I mean huge; I mean in terms of the kind of space it would require, in terms of the kind of curatorial agency it would be premised on. Across the two museums and one gallery that carried the exhibit, the one that’s still running is at Yuchengco Museum—a good thing&#8230;<a class="moretag" href="http://www.radikalchick.com/declared-absences-in-nothing-to-declare/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>silence</title>
		<link>http://www.radikalchick.com/silence/</link>
		<comments>http://www.radikalchick.com/silence/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 19:50:27 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[death of criticism]]></category>
		<category><![CDATA[libel]]></category>
		<category><![CDATA[Maria Ressa]]></category>
		<category><![CDATA[rappler]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3875</guid>
		<description><![CDATA[because i&#8217;d be lying if i said that Maria Ressa throwing the words libel and malicious my way didn&#8217;t render me speechless, literally and figuratively. but maybe what was worse than throwing that my way was the fact that it was also retracted with a brush-off: filing a case would be too much for too little. i haven&#8217;t been patronized like this publicly, have never felt let down by someone i respect since, oh i don&#8217;t know, i applied for&#8230;<a class="moretag" href="http://www.radikalchick.com/silence/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<title>love &amp; clothes &amp; western kawomenan</title>
		<link>http://www.radikalchick.com/love-clothes-western-kawomenan/</link>
		<comments>http://www.radikalchick.com/love-clothes-western-kawomenan/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 12:35:37 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[bituin escalante]]></category>
		<category><![CDATA[love loss and what i wore]]></category>
		<category><![CDATA[Menchu Lauchengco-Yulo]]></category>
		<category><![CDATA[michael williams]]></category>
		<category><![CDATA[Pinoy theater]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3872</guid>
		<description><![CDATA[brought Angela to Love Loss and What I Wore, the local staging of a Nora Ephron and Delia Ephron original. mixed reviews in the US, but an interesting enough text owing to this third world Pinay&#8217;s class consciousness. and Bituin Escalante and Menchu Lauchengco-Yulo are equally brilliant in it. go see it, bring your mothers and girlfriends. will only run until Jan 22! :) saw it last year, and did this review.  Five women in all black outfits, mostly in the same&#8230;<a class="moretag" href="http://www.radikalchick.com/love-clothes-western-kawomenan/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Picasso at The Met: sex to begin with</title>
		<link>http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/</link>
		<comments>http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 02:45:35 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Metropolitan Museum Manila]]></category>
		<category><![CDATA[Picasso At The Met]]></category>
		<category><![CDATA[Suite Vollard]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3864</guid>
		<description><![CDATA[It is this rendering of the visceral as questionable that happens on the level of spectatorship with the series entitled the “Battle of Love” made up of etchings all entitled “Violación” (“Rape”). Here it is the Picasso’s hand that falls heavier or lighter as it renders the act of sex, presumed to be at its most violent, across a set of five images that look the same. But are different. The lighter strokes allow for the imagination of the act&#8230;<a class="moretag" href="http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>on ignorance and vampires: self-/auto-plagiarism</title>
		<link>http://www.radikalchick.com/on-ignorance-and-vampires-self-auto-plagiarism/</link>
		<comments>http://www.radikalchick.com/on-ignorance-and-vampires-self-auto-plagiarism/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 04:05:35 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[auto-plagiarism]]></category>
		<category><![CDATA[Lito Zulueta]]></category>
		<category><![CDATA[Luis Teodoro]]></category>
		<category><![CDATA[self-plagiarism]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3857</guid>
		<description><![CDATA[what is being brought to light too, i find, is that while Lito Zulueta&#8217;s biases are questioned precisely because of the place he occupies in the Philippine Daily Inquirer vis a vis UST, his engagement with this issue has not happened in the broadsheet he works for. whereas Luis Teodoro&#8217;s attacks on him have happened in a regular Business World column. the discussion, thankfully, continues. from Luis Teodoro&#8217;s Business World column, January 12 2012. &#8230; AND IGNORANCE In a letter to BusinessWorld last&#8230;<a class="moretag" href="http://www.radikalchick.com/on-ignorance-and-vampires-self-auto-plagiarism/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Tito Jorge</title>
		<link>http://www.radikalchick.com/tito-jorge/</link>
		<comments>http://www.radikalchick.com/tito-jorge/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 10:01:42 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[sarili]]></category>
		<category><![CDATA[Jorge Arago 1943-2011]]></category>
		<category><![CDATA[rogue scholar]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3850</guid>
		<description><![CDATA[Tito Jorge would’ve laughed out loud, would’ve teased that this 35-year old was bawling like his widow under the watchful eye of Mother Teresa and an oven called Serenity. The 68-year old man had taught humor well. Irony, too. It seems it took him long enough. In 1994, Tito Jorge was working at the UP Film Center and on the last day for submission of UPCAT applications, arrived in the rain carrying with him – rolled up under his shirt&#8230;<a class="moretag" href="http://www.radikalchick.com/tito-jorge/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>going to the dogs</title>
		<link>http://www.radikalchick.com/going-to-the-dogs/</link>
		<comments>http://www.radikalchick.com/going-to-the-dogs/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 11:11:43 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[online journalism]]></category>
		<category><![CDATA[online media]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3836</guid>
		<description><![CDATA[two weeks since the discussion that had most everyone ganging up on UST and Lito Zulueta and siding with Marites Danguilan Vitug ang rappler.com, where is the discourse on media (online and otherwise) at this point? rappler has quietly revealed itself to be about helping out government instead of being a critical voice that at the very least asks: how much was paid BBDO for this campaign and is it worth it? i guess no questions like that for &#8220;uncompromised journalism&#8221; now tagging&#8230;<a class="moretag" href="http://www.radikalchick.com/going-to-the-dogs/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>11</slash:comments>
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		<item>
		<title>the dangers of fun</title>
		<link>http://www.radikalchick.com/the-dangers-of-fun/</link>
		<comments>http://www.radikalchick.com/the-dangers-of-fun/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 11:11:02 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[itsmorefuninthephilippines]]></category>
		<category><![CDATA[local industry]]></category>
		<category><![CDATA[prostitution]]></category>
		<category><![CDATA[tourism]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3825</guid>
		<description><![CDATA[congratulations are in order: the DOT after all has triggered a meme of itsmorefuninthephilippines and its campaign has functioned exactly the way they imagined (with the help of a media enterprise now admitting its bias, yehey!) it is not without its critics, myself included, but i don&#8217;t mind letting it have a life all its own, commentary included about as much as unthinking celebration: if we can trip on the DPWHere, how can we not trip on this one? which&#8230;<a class="moretag" href="http://www.radikalchick.com/the-dangers-of-fun/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Optimistic about the Pinoy indie: Graceland campaigns for pledges</title>
		<link>http://www.radikalchick.com/optimistic-about-the-pinoy-indie-graceland-campaigns-for-pledges/</link>
		<comments>http://www.radikalchick.com/optimistic-about-the-pinoy-indie-graceland-campaigns-for-pledges/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 12:12:44 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[Graceland]]></category>
		<category><![CDATA[ind]]></category>
		<category><![CDATA[indie filmmaking]]></category>
		<category><![CDATA[new media platforms]]></category>
		<category><![CDATA[Ron Morales]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3823</guid>
		<description><![CDATA[“Graceland” a film by Ron Morales is taking the online platforms for independent filmmaking and funding creative projects like no other Pinoy film has, indie and otherwise. At the award-winning film website Indiewire, the film got the most votes out of four films and was declared project of the week, which makes it eligible for the project of the month competition by January’s end. Over at funding platform Kickstarter, pledges for the film total over $15,000 dollars, more than half&#8230;<a class="moretag" href="http://www.radikalchick.com/optimistic-about-the-pinoy-indie-graceland-campaigns-for-pledges/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>yearenders and firestarters</title>
		<link>http://www.radikalchick.com/yearenders-and-firestarters/</link>
		<comments>http://www.radikalchick.com/yearenders-and-firestarters/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 11:35:39 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[class divisions]]></category>
		<category><![CDATA[media in the Philippines]]></category>
		<category><![CDATA[Pinoy arts and culture 2011]]></category>
		<category><![CDATA[Pinoy film]]></category>
		<category><![CDATA[Pinoy pop culture]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3821</guid>
		<description><![CDATA[because 2011 ended with some sadness, and the new year had me on a roll, which is to say it forced me to hit the ground running. one must be thankful. the yearender for arts and theater and the one on popular culture were up before the end of 2011. though with the Metro Manila Filmfest happening at the end of the year, too, these could only be overshadowed by the notion of ending-with-a-bang and a foreboding of the year to&#8230;<a class="moretag" href="http://www.radikalchick.com/yearenders-and-firestarters/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>grace in the land of Pinoy film</title>
		<link>http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/</link>
		<comments>http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 15:14:09 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[Graceland]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[vote for the Pinoy indie]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3807</guid>
		<description><![CDATA[(in the midst of all this talk about Pinoy films, indie and otherwise, from people who haven&#8217;t given it a chance in a long time, and are ready to dismiss it anyway.) here: listen to this Pinoy indie film director talk about his film Graceland, with quite the interesting plot of a kidnapping layered with class division and struggle, with an unabashed social realism made different by a merging of the film and the docu, of the fictional and the&#8230;<a class="moretag" href="http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>on (the) line: credibility, the academe, journalism</title>
		<link>http://www.radikalchick.com/on-the-line-credibility-the-academe-journalism/</link>
		<comments>http://www.radikalchick.com/on-the-line-credibility-the-academe-journalism/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 10:24:38 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[edukasyon]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[middle class]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[credibility]]></category>
		<category><![CDATA[legitimacy]]></category>
		<category><![CDATA[online journalism]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3801</guid>
		<description><![CDATA[truth to tell i didn&#8217;t care much about this &#8220;expose&#8221; of Marites Danguilan Vitug because it was a non-Corona non-issue to me. non-Corona, because exposing the lack of a dissertation, the number of years he took to finish the phd, his ineligibility for the honors he was given, point to the fact that this was always a UST issue. the basic question being: why make corona an exemption to university rules? and i didn&#8217;t care for that question because i knew without&#8230;<a class="moretag" href="http://www.radikalchick.com/on-the-line-credibility-the-academe-journalism/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>20</slash:comments>
		</item>
		<item>
		<title>on self-help and the Pinay</title>
		<link>http://www.radikalchick.com/on-self-help-and-the-pinay/</link>
		<comments>http://www.radikalchick.com/on-self-help-and-the-pinay/#comments</comments>
		<pubDate>Sun, 01 Jan 2012 14:44:23 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[meta-self-help]]></category>
		<category><![CDATA[pinay]]></category>
		<category><![CDATA[self-help]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3789</guid>
		<description><![CDATA[or let&#8217;s begin 2012 by talking about oppression, shall we? My issue with self-help books is that they are mostly American. And anyone who lives off of the Philippines’ contradictions and silences, crises and sadnesses would know that not much of American self-help applies to the every Pinay. The 11 stupid things women do by Veronica Pulumbarit, based on the book by Dr. Laura Schlessinger Ten Stupid Things Women Do To Mess Up Their Lives among other sources, reeks of a&#8230;<a class="moretag" href="http://www.radikalchick.com/on-self-help-and-the-pinay/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>on Asiong Salonga, from one of the few Tunay na Lalakes i love</title>
		<link>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/</link>
		<comments>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 09:17:01 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[action film genre]]></category>
		<category><![CDATA[Asiong Salonga]]></category>
		<category><![CDATA[MMFF 2011]]></category>
		<category><![CDATA[Yol Jamendang]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3778</guid>
		<description><![CDATA[while i try and wrap my head around the mere existence of this movie, here&#8217;s a male voice i trust and love because it is consistent and self-conscious and always intelligent, even as it is Pinoy male macho. Ang tunay na lalake ay walang abs (At iba pang komento sa pelikulang Manila Kingpin: The Asiong Salonga Story) ni Yol Jamendang Eto ang lagay &#8211; matagal na, matagal na matagal na akong hindi nakakakita ng trailer ng pelikulang Pilipino na may&#8230;<a class="moretag" href="http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>6</slash:comments>
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