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Over Rizal, Monuments to a Hero had all the makings of superficiality. After all, in light of Jose Rizal’s sesquicentennial his monuments seem like the most flimsy of subjects; in light of the more important question of his continued relevance, this exhibit risked the possibility of being absolutely irrelevant. But there was more here than just photos of Rizal statues, and while the curatorial note speaks of memory and remembering, the sheer number of these monuments across the country surprisingly reminds… Continue reading »
the breakdown and aftermath of the Rafael Santos debacle is interesting to me mostly for what’s still unsaid. 1. the fact of Santos’ class, and i use that word not just to point to his lack of social skills (for goodness why would he think a joke like that funny?) and bad manners (he was asked about actors he himself worked with for his film, yes?), but also his social class. that humor, if we’d like to call it that, is… Continue reading »
am i the only one who thinks this has gone too far? and just way low, the discourse on the Reproductive Health Bill. it’s bad enough that we have to deal with congressmen like Amado Bagatsing who thinks prOscribe can easily be changed into prEscribe (medyo praning), like Roilo Golez who will twist previous DOH Secretary Esperanza Cabral’s words to her face about the risk factors of the pill (medyo sinungaling), like Pablo Garcia who thinks the correct response to the… Continue reading »
In The Name of Love (directed by Olivia Lamasan, written by Lamasan and Enrico Santos) had the promise of courage. Its OFW story is one that deals carefully with the fact of male bodies, where Emman Toledo (Aga Muhlach) and his dance group are hostos in Japan: dancing in a club and stepping out of there with blonde women in tow. The crisis of the Filipino family in the face of the OFW phenomenon is shown here with a bright honesty: there is… Continue reading »
which is to ask: how good does it feel, really, now that Willing Willie has been suspended for a month, and now that the MTRCB has tasked itself to do the strangest of things: that is, watch every darn episode there is for possible “di kaaya-ayang” moments, for immediate sanctioning or approval of the next day’s show. it’s good ol’ Pinoy pag-initan natin ang show. the question of course is: wala bang ibang pangangailangan ang kultura MTRCB? if you were… Continue reading »
Two Pinoy artists were chosen to be part of the Singapore Biennale 2011, and while this might seem like a quirk of fate that’s like most of the grants and awards they’ve individually received before, there is much to be said about the fact that these two artists are Louie Cordero and Mark Salvatus. In an essay written for the Biennale on these two artists, Dr. Patrick D. Flores (Curator, Vargas Museum) draws similarities between Cordero and Salvatus succinctly: These… Continue reading »
The first thing that strikes you when you enter the Looking For Juan (L4J) art space (Serendra, Taguig City) for the Mga Kuwentong EDSA exhibit is how familiar the images on both the small and large canvasses are, with faces and figures both real and abstract that speak of a time we might be too young to remember. But the icons / slogans / colors continue to have currency. Two artists are part of this exhibit, from different generations, both working with… Continue reading »
it is with deadlines looming and the need to earn my keep that I write this. which is to say I have more important things to do with my time, including of course your notion(s) of action, as they do include what you wouldn’t be caught dead doing for nation. but your tirade against the armchair … este … the revolutionary armchair … no wait, the armchair revolutionary! cannot be left unquestioned, lest the world thinks we all agree with you,… Continue reading »
early in the week, on one of those hectic mornings that I keep the TV on to Sapul sa 5 for company, I heard your plans for instituting public kindergarten as part of our educational system, and I could only tweet about it as violently as I could. though of course in the midst of the violence in Egypt then (now turned into a version of people power eh?), and the fare hike, this was barely carried by the rest… Continue reading »
ambassador. — noun. 1. a diplomatic official of the highest rank, sent by one sovereign state to another as its resident representative. (via dictionary.com) granted that diplomacy is what Boy Abunda has plenty of and “his ability to communicate ideas” is the soundbite that’s suppose to explain why he’s been appointed as Arts Ambassador. of course there are so many other people who do this just as well if not better: i can give you 10 names off the top… Continue reading »
yes, it’s as absurd as it sounds. i now have visions of Mar Roxas as The Troubleshooter, a new superhero, who’s urgently needed for any and every trouble that needs to be fixed in Malacañang. not that there’s trouble now, but Mar will be gifted with those troubles soon. because this is a gift for Mar, PNoy has said. yet, i do wonder if being labelled The Troubleshooter is a gift, much less an honorable position at all. my personal… Continue reading »
Of course the answer must only be why the hell not? But, that’s getting ahead of this story, one that’s only tragic and nothing else, because while we insist that we hold freedom and democracy dear in this country, we will turn a blind eye to the oppression(s) of others, and will for the most part refuse all rationality because they are redder than most, they are activist of the kind that we don’t like or accept. But also it… Continue reading »
you know I am all for the Reproductive Health Bill, ready to fight for its passing into law, no matter how gruesome that end looks: from being called names to losing the respect of relatives/friends/students who are more conservative than me, who believe in this Church more than I ever will. to me, the fight for the RH Bill is the most logical one for any Filipino woman. it’s the most matter-of-fact law that’s painfully long in coming that we… Continue reading »
the discussions and debates on local indie films come from a place of uncertainty and spectatorship: who views these films, and therefore are we making them for those viewers? is the prevalence of sex and poverty and violence in the indie something that’s overly used to feed the first world’s need to validate themselves? after all to insist on seeing the bowels of third world Philippines and saying bravo bravo! could also mean yehey! they’re still as poor as we’d… Continue reading »
because it was Mama and I who watched and remembered with a heavy heart the story of the Vizconde Massacre on Cheche Lazaro Presents three nights ago, with stories of its victims. and when i say victims, i don’t just mean the family of Lauro Vizconde, he who has kept the house where the murders happened, he who has kept rooms exactly the way they are, living with such violence must be a tragedy in itself, too. but as well,… Continue reading »
why ABS-CBN? why would any network, in fact, let Maria Ressa go? it barely makes sense, if we know of her and her news and current affairs management and the ways she’s changed the news as we see it. and no, I don’t buy that whole refusal-to-renew-the-contract story, because really you can beg/ plead/ grovel to keep someone on your side, especially when they’ve done so well, have outdone too many, in fact. and this Maria has done for ABSCBN, allowing… Continue reading »
which has just passed, this day that should be more momentous than most because you yourself spoke of your own teachers at this speech you delivered to commemorate it two days ago. there is no person who was not affected by a teacher in a good way, and that teacher need not be in the classroom. in the ideal world though, in a world where education is all important in a real sort of way, that teacher would be in… Continue reading »