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	<title>RadikalChick &#187; pulahan</title>
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		<title>why free Ericson Acosta</title>
		<link>http://www.radikalchick.com/why-free-ericson-acosta/</link>
		<comments>http://www.radikalchick.com/why-free-ericson-acosta/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 19:38:40 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[Ericson Acosta]]></category>
		<category><![CDATA[human rights]]></category>
		<category><![CDATA[hunger strike]]></category>
		<category><![CDATA[Ninoy Aquino]]></category>
		<category><![CDATA[political prisoners]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3665</guid>
		<description><![CDATA[Ninoy Aquino and Ericson Acosta might seem light years away from each other, and yet i’d like to think that more than what makes them different, what carries weight here is what makes them the same. illegal detention, trumped up charges, a military blinded by getting some “big fish” and not getting enough of the red scare, being forced to face your accusers everyday, being removed from and having limited access to the outside world, being treated like some dangerous&#8230;<a class="moretag" href="http://www.radikalchick.com/why-free-ericson-acosta/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>on Manolo Sicat&#8217;s Matayataya</title>
		<link>http://www.radikalchick.com/on-manolo-sicats-matayataya/</link>
		<comments>http://www.radikalchick.com/on-manolo-sicats-matayataya/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 10:38:39 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[Manolo Sicat]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[Pinoy sculpture]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3618</guid>
		<description><![CDATA[White is what greets you when you enter the gallery that’s been transformed into a playground by Manolo Sicat’s Matayataya. The first reaction is one of joy: the kind that play allows, no matter how old we get, especially because it is reminiscent of the kids that we were when the streets were safe to play in. But it sinks in soon enough: play here is everything and violent, because the streets have changed, because the streets are now testament to&#8230;<a class="moretag" href="http://www.radikalchick.com/on-manolo-sicats-matayataya/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>PAL, PALEA, PNoy</title>
		<link>http://www.radikalchick.com/pal-palea-pnoy/</link>
		<comments>http://www.radikalchick.com/pal-palea-pnoy/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 16:06:17 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[PAL]]></category>
		<category><![CDATA[PALEA]]></category>
		<category><![CDATA[PNoy and workers' rights]]></category>
		<category><![CDATA[workers' rights]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3475</guid>
		<description><![CDATA[in November 2010, i blogged about Lucio Tan getting away with the plan to lay off regular Philippine Airline workers in favor of outsourcing services, with the Department of Labor and Employment siding with him. now, almost a year since, PNoy proves himself an Hacienda Luisita heir, and actually says the PALEA workers who are on strike might be held liable for economic sabotage. the President is saying that these regular employees who have served PAL &#8212; and therefore the public&#8230;<a class="moretag" href="http://www.radikalchick.com/pal-palea-pnoy/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>on class, the indie film divide, and what unity must mean</title>
		<link>http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/</link>
		<comments>http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 09:15:22 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[paying debt]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[the elite]]></category>
		<category><![CDATA[artist union]]></category>
		<category><![CDATA[philippine independent cinema]]></category>
		<category><![CDATA[philippine theater]]></category>
		<category><![CDATA[Rafael Santos]]></category>
		<category><![CDATA[the indie film divide]]></category>
		<category><![CDATA[theater actors' union]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2397</guid>
		<description><![CDATA[the breakdown and aftermath of the Rafael Santos debacle is interesting to me mostly for what&#8217;s still unsaid. 1. the fact of Santos&#8217; class, and i use that word not just to point to his lack of social skills (for goodness why would he think a joke like that funny?) and bad manners (he was asked about actors he himself worked with for his film, yes?), but also his social class. that humor, if we&#8217;d like to call it that, is&#8230;<a class="moretag" href="http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>pinoy rap lives!</title>
		<link>http://www.radikalchick.com/pinoy-rap-lives/</link>
		<comments>http://www.radikalchick.com/pinoy-rap-lives/#comments</comments>
		<pubDate>Tue, 05 Apr 2011 05:13:18 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[star creation]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[diploma]]></category>
		<category><![CDATA[Francis Magalona]]></category>
		<category><![CDATA[FrancisM]]></category>
		<category><![CDATA[Gloc-9]]></category>
		<category><![CDATA[matrikula]]></category>
		<category><![CDATA[OPM]]></category>
		<category><![CDATA[original pilipino music]]></category>
		<category><![CDATA[Pinoy rap]]></category>
		<category><![CDATA[pinoy rap lives]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[rap and nation]]></category>
		<category><![CDATA[talumpati]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2091</guid>
		<description><![CDATA[with  Gloc-9.]]></description>
		<wfw:commentRss>http://www.radikalchick.com/pinoy-rap-lives/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>release Ericson Acosta, now!</title>
		<link>http://www.radikalchick.com/release-ericson-acosta-now/</link>
		<comments>http://www.radikalchick.com/release-ericson-acosta-now/#comments</comments>
		<pubDate>Wed, 30 Mar 2011 16:40:37 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[sa kalye]]></category>
		<category><![CDATA[Ericson Acosta]]></category>
		<category><![CDATA[Release Ericson Acosta NOW!]]></category>
		<category><![CDATA[statement of support]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2080</guid>
		<description><![CDATA[(please share, repost, tumblelog, tweet this statement of support) We, University of the Philippines alumni, academe, artists, writers, students, human rights advocates, friends and colleagues of Ericson Legaspi Acosta, call for his immediate and unconditional release from his current illegal detention. Ericson is a cultural worker and writer, and a former UP activist. During the ‘90s, he served as editor of the Philippine Collegian, UP’s official student publication. He is a former chair of the student cultural group Alay Sining,&#8230;<a class="moretag" href="http://www.radikalchick.com/release-ericson-acosta-now/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>on Mga Kuwentong EDSA</title>
		<link>http://www.radikalchick.com/on-mga-kuwentong-edsa/</link>
		<comments>http://www.radikalchick.com/on-mga-kuwentong-edsa/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 10:31:53 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pangyayari]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Alfredo Liongoren]]></category>
		<category><![CDATA[Daniel Aligaen]]></category>
		<category><![CDATA[EDSA 86]]></category>
		<category><![CDATA[EDSA exhibit that works]]></category>
		<category><![CDATA[L4J Art Space]]></category>
		<category><![CDATA[Looking For Juan]]></category>
		<category><![CDATA[Mga Kuwentong EDSA]]></category>
		<category><![CDATA[Serendra Taguig]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2047</guid>
		<description><![CDATA[The first thing that strikes you when you enter the Looking For Juan (L4J) art space (Serendra, Taguig City) for the Mga Kuwentong EDSA exhibit is how familiar the images on both the small and large canvasses are, with faces and figures both real and abstract that speak of a time we might be too young to remember. But the icons / slogans / colors continue to have currency. Two artists are part of this exhibit, from different generations, both working with&#8230;<a class="moretag" href="http://www.radikalchick.com/on-mga-kuwentong-edsa/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>camera creative 1: notes on the 2011 Singapore Biennale</title>
		<link>http://www.radikalchick.com/camera-creative-1-notes-on-the-2011-singapore-biennale/</link>
		<comments>http://www.radikalchick.com/camera-creative-1-notes-on-the-2011-singapore-biennale/#comments</comments>
		<pubDate>Thu, 17 Mar 2011 04:09:16 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[Beat Streuli]]></category>
		<category><![CDATA[Charles Lim]]></category>
		<category><![CDATA[Jill Magid]]></category>
		<category><![CDATA[Leopold Kessler]]></category>
		<category><![CDATA[Ryan Trecartin]]></category>
		<category><![CDATA[Singapore Biennale 2011]]></category>
		<category><![CDATA[Superflex]]></category>
		<category><![CDATA[The Propeller Group]]></category>
		<category><![CDATA[video as art]]></category>
		<category><![CDATA[video installation art]]></category>
		<category><![CDATA[video installations]]></category>
		<category><![CDATA[watching movies versus art spectatorship]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2018</guid>
		<description><![CDATA[We know the value of the moving picture, and I shall not begin on the kind of cinema / film / industry that the access to this technology has meant in the more impoverished nations of this world from which independence has meant more creative films. Of course even that, at least in our shores, is beginning to be the exception instead of the rule. At the Singapore Biennale 2011, the moving picture, the camera itself, is focused on things&#8230;<a class="moretag" href="http://www.radikalchick.com/camera-creative-1-notes-on-the-2011-singapore-biennale/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>why free the morong 43?</title>
		<link>http://www.radikalchick.com/why-free-the-morong-43/</link>
		<comments>http://www.radikalchick.com/why-free-the-morong-43/#comments</comments>
		<pubDate>Thu, 09 Dec 2010 19:06:53 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[sa kalye]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[anti-activism]]></category>
		<category><![CDATA[anti-left]]></category>
		<category><![CDATA[desaparecidos]]></category>
		<category><![CDATA[doctors and nurses for the nation]]></category>
		<category><![CDATA[Free the 43]]></category>
		<category><![CDATA[Free the Morong 43]]></category>
		<category><![CDATA[health workers]]></category>
		<category><![CDATA[health workers in the countryside]]></category>
		<category><![CDATA[health workers in the provinces]]></category>
		<category><![CDATA[human rights]]></category>
		<category><![CDATA[human rights day 2010]]></category>
		<category><![CDATA[human rights of activists]]></category>
		<category><![CDATA[illegal arrest]]></category>
		<category><![CDATA[illegal detention]]></category>
		<category><![CDATA[Morong 43]]></category>
		<category><![CDATA[Morong health workers]]></category>
		<category><![CDATA[red scare]]></category>
		<category><![CDATA[volunteers]]></category>
		<category><![CDATA[witch hunting]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=1737</guid>
		<description><![CDATA[Of course the answer must only be why the hell not? But, that’s getting ahead of this story, one that’s only tragic and nothing else, because while we insist that we hold freedom and democracy dear in this country, we will turn a blind eye to the oppression(s) of others, and will for the most part refuse all rationality because they are redder than most, they are activist of the kind that we don’t like or accept. But also it&#8230;<a class="moretag" href="http://www.radikalchick.com/why-free-the-morong-43/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>dear P-Noy, on Teachers Day 2010</title>
		<link>http://www.radikalchick.com/dear-p-noy-on-teachers-day-2010/</link>
		<comments>http://www.radikalchick.com/dear-p-noy-on-teachers-day-2010/#comments</comments>
		<pubDate>Wed, 06 Oct 2010 22:33:25 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[Act Teachers Partylist]]></category>
		<category><![CDATA[Alliance of Concerned Teachers]]></category>
		<category><![CDATA[CHED]]></category>
		<category><![CDATA[Dep Ed]]></category>
		<category><![CDATA[educational crisis]]></category>
		<category><![CDATA[GSIS]]></category>
		<category><![CDATA[House Bill 2142]]></category>
		<category><![CDATA[NCBTS]]></category>
		<category><![CDATA[P-Noy]]></category>
		<category><![CDATA[Pag-Ibig]]></category>
		<category><![CDATA[PhilHealth]]></category>
		<category><![CDATA[public school system]]></category>
		<category><![CDATA[SSS]]></category>
		<category><![CDATA[teachers day]]></category>
		<category><![CDATA[teachers day 2010]]></category>
		<category><![CDATA[teachers salary]]></category>
		<category><![CDATA[Upgrade Teachers' Salaries Now!]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=907</guid>
		<description><![CDATA[which has just passed, this day that should be more momentous than most because you yourself spoke of your own teachers at this speech you delivered to commemorate it two days ago. there is no person who was not affected by a teacher in a good way, and that teacher need not be in the classroom. in the ideal world though, in a world where education is all important in a real sort of way, that teacher would be in&#8230;<a class="moretag" href="http://www.radikalchick.com/dear-p-noy-on-teachers-day-2010/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>the revolution cannot be staged</title>
		<link>http://www.radikalchick.com/the-revolution-cannot-be-staged/</link>
		<comments>http://www.radikalchick.com/the-revolution-cannot-be-staged/#comments</comments>
		<pubDate>Wed, 06 Oct 2010 00:45:52 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Ayen Munji Laurel]]></category>
		<category><![CDATA[Banaag at Sikat]]></category>
		<category><![CDATA[Banaue Miclat]]></category>
		<category><![CDATA[Bienvenido Lumbera]]></category>
		<category><![CDATA[cultural center of the philippines]]></category>
		<category><![CDATA[musicale]]></category>
		<category><![CDATA[pinoy rock]]></category>
		<category><![CDATA[rock 'n' roll]]></category>
		<category><![CDATA[rock opera]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=904</guid>
		<description><![CDATA[I had high hopes for Banaag at Sikat, The Rock Opera, a promise of good music and singing, a contemporary retelling of Lope K. Santos’ original novel on the winds of change that would bring the country to revolt against the overwhelming conditions that capitalism and feudalism wrought on the nation. But as it began with fake guitar playing between friends Delfin (Al Gatmaitan) and Felipe (Roeder Camañag), attached to what then becomes a fake amplifier, and with dancing from a&#8230;<a class="moretag" href="http://www.radikalchick.com/the-revolution-cannot-be-staged/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SATUR IS THE ONE</title>
		<link>http://www.radikalchick.com/satur-is-the-one/</link>
		<comments>http://www.radikalchick.com/satur-is-the-one/#comments</comments>
		<pubDate>Sun, 09 May 2010 07:55:19 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[#37 on your ballots]]></category>
		<category><![CDATA[2010 elections]]></category>
		<category><![CDATA[CARP]]></category>
		<category><![CDATA[CARP versus GARB]]></category>
		<category><![CDATA[fear of the left]]></category>
		<category><![CDATA[GARB number 37 on your ballots]]></category>
		<category><![CDATA[Ocampo for senator]]></category>
		<category><![CDATA[Satur Ocampo]]></category>
		<category><![CDATA[Satur4Senator]]></category>
		<category><![CDATA[senatoriables 2010]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=565</guid>
		<description><![CDATA[Satur Ocampo is the one senatoriable who has gotten flack for being guest candidate of NP, which is surprising given how this refuses to believe the truth that he and Liza Maza are running with the party, and not within it. Why is it so hard to understand that? The better question is would we give Satur and Liza the same problem had they run with LP? It&#8217;s obvious that people who use the NP reason against Satur and Liza&#8230;<a class="moretag" href="http://www.radikalchick.com/satur-is-the-one/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>20 days to go!</title>
		<link>http://www.radikalchick.com/20-days-to-go/</link>
		<comments>http://www.radikalchick.com/20-days-to-go/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 16:48:16 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[2010 elections]]></category>
		<category><![CDATA[anti-left rhetoric]]></category>
		<category><![CDATA[Manny Villar]]></category>
		<category><![CDATA[Ninoy Aquino]]></category>
		<category><![CDATA[Noynoy Aquino]]></category>
		<category><![CDATA[red-baiting]]></category>
		<category><![CDATA[the Left and poverty]]></category>
		<category><![CDATA[the Philippine Left]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=544</guid>
		<description><![CDATA[&#8220;Ninoy’s Testament From A Prison Cell and other writings might enlighten Noynoy a little about the Left. if there were no poverty and oppression, there would be no Left; snubbing and demonizing the Left (instead of finding a way for Left and Right to work together for the good of the whole) would not have been Ninoy’s way, is no way to honor Ninoy’s legacy, in fact it dishonors Ninoy’s legacy.&#8221; And while Stuart Santiago seems to have decided, I have yet&#8230;<a class="moretag" href="http://www.radikalchick.com/20-days-to-go/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>kawayan takes a walk on the blindside</title>
		<link>http://www.radikalchick.com/kawayan-takes-a-walk-on-the-blindside/</link>
		<comments>http://www.radikalchick.com/kawayan-takes-a-walk-on-the-blindside/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 10:58:17 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=504</guid>
		<description><![CDATA[It seems too easy, really. On one July 4, Kawayan de Guia found himself in America, and felt removed from what was a major celebration in the land of milk and honey. On this day, he decides to take a 30-kilometer walk on non-descript Route 66, which may be part of his personal history of walking, yes, but to a spectator who needs no personal history, could really be about so many other things. Which is really what works for&#8230;<a class="moretag" href="http://www.radikalchick.com/kawayan-takes-a-walk-on-the-blindside/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>dreaming of a president 2010</title>
		<link>http://www.radikalchick.com/dreaming-of-a-president-2010/</link>
		<comments>http://www.radikalchick.com/dreaming-of-a-president-2010/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 17:59:10 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=493</guid>
		<description><![CDATA[my friend Andrea Teran wrote and posted this on her Facebook account. absolutely worth reading, and just so goddamn true it&#8217;s crazy that we have yet to hear/read speeches such as this. just missing a section on freedom of expression and extrajudicial killings, pero winner pa rin. and presidenteng papatol/gagawa/maniniwala sa speech na &#8216;to. at si Drey of course. :) ****** For This and No Other Or, A Draft Campaign Speech for Any of the Next Possible Philippine Presidents, Provided&#8230;<a class="moretag" href="http://www.radikalchick.com/dreaming-of-a-president-2010/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>the artist as activist</title>
		<link>http://www.radikalchick.com/the-artist-as-activist/</link>
		<comments>http://www.radikalchick.com/the-artist-as-activist/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 15:50:19 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[art and activism]]></category>
		<category><![CDATA[kiri dalena]]></category>
		<category><![CDATA[nokia's 10 young and exciting artists]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=440</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer&#8216;s Arts and Books section, October 26 2009. Kiri Dalena looks at me and acknowledges familiarity – here was no high and mighty, isolated and removed artist. After establishing the lines that bound us, she jokingly whispers a rhetorical question, “I am not young or exciting … why am I here?” There is nothing here in fact but self-deprecation, and a whole lot of humility. Kiri talks about her art, diverse&#8230;<a class="moretag" href="http://www.radikalchick.com/the-artist-as-activist/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>palparan, benigno, bencard: alin alin ang naiba?</title>
		<link>http://www.radikalchick.com/palparan-benigno-bencard-alin-alin-ang-naiba/</link>
		<comments>http://www.radikalchick.com/palparan-benigno-bencard-alin-alin-ang-naiba/#comments</comments>
		<pubDate>Sun, 26 Jul 2009 12:30:00 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[abduction]]></category>
		<category><![CDATA[anti-left rhetoric]]></category>
		<category><![CDATA[extrajudicial disappearances]]></category>
		<category><![CDATA[Melissa Roxas]]></category>
		<category><![CDATA[torture]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=383</guid>
		<description><![CDATA[what i&#8217;ve hated aboutmuch that has been blogged re Melissa Roxas via Filipino Voices is that it dissolves the issue of the abduction and torture of activists into anti-left rhetoric. and this happens, not just because of the bloggers themselves, but the comments that are allowed to take over the discussions. so far, it is benigno who takes the cake. true, he insists we have become desensitized to extrajudicial disappearances and killings because it has become part and parcel of&#8230;<a class="moretag" href="http://www.radikalchick.com/palparan-benigno-bencard-alin-alin-ang-naiba/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>4</slash:comments>
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