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	<title>RadikalChick &#187; panitikan</title>
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		<title>The (Un-)Worth of Words*</title>
		<link>http://www.radikalchick.com/the-un-worth-of-words/</link>
		<comments>http://www.radikalchick.com/the-un-worth-of-words/#comments</comments>
		<pubDate>Wed, 23 Nov 2011 02:16:30 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Ampatuan]]></category>
		<category><![CDATA[literary culture]]></category>
		<category><![CDATA[Maguindanao Massacre]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3628</guid>
		<description><![CDATA[Because there are no words, none worth using to talk about the Ampatuan Massacre, no words worthy of lives lost to such violence, to such power. What we should’ve been was out on the streets, angry, fearless, pointing a finger at (giving the finger to) the system that has been feeding private armies. But none of that happened. Instead we were quiet and enraged, watching the news at home, receiving word about the rumored real reason behind the encounter, which&#8230;<a class="moretag" href="http://www.radikalchick.com/the-un-worth-of-words/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>admitting to class differences, the dream of readers at home: Butch Dalisay and Phil writing</title>
		<link>http://www.radikalchick.com/admitting-to-class-differences-the-dream-of-readers-at-home-butch-dalisay-and-phil-writing/</link>
		<comments>http://www.radikalchick.com/admitting-to-class-differences-the-dream-of-readers-at-home-butch-dalisay-and-phil-writing/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 00:47:24 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[Butch Dalisay]]></category>
		<category><![CDATA[Jose Y. Dalisay Jr.]]></category>
		<category><![CDATA[Singapore Writers Fest 2011]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3545</guid>
		<description><![CDATA[&#60;&#8230;&#62; if these two talks of Dalisay are any indication &#60;&#8230;&#62; what our texts have and what ails our texts by default given colonial history &#60;is that&#62; we are out of the Commonwealth loop &#60;&#8230;&#62; and while American colonization gave us the English that we use for our writing, we all seem to have forgotten that, and we’re like the bastard children that appear at the family Christmas dinner. There are no favors to be had from our colonial fathers&#8230;<a class="moretag" href="http://www.radikalchick.com/admitting-to-class-differences-the-dream-of-readers-at-home-butch-dalisay-and-phil-writing/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/admitting-to-class-differences-the-dream-of-readers-at-home-butch-dalisay-and-phil-writing/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>because literature IS serious business</title>
		<link>http://www.radikalchick.com/literature-as-serious-business/</link>
		<comments>http://www.radikalchick.com/literature-as-serious-business/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 15:28:30 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[responsibility]]></category>
		<category><![CDATA[Singapore Writers Fest 2011]]></category>
		<category><![CDATA[SWF]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3537</guid>
		<description><![CDATA[It seems like a foregone conclusion: how else would Singapore do a writers’ festival but with seriousness and business-like professionalism? What’s striking about the first few days of the Singapore Writers’ Festival (SWF) though is this: while business sense would dictate the selling of books in relation to the event, there’s also a clear sense here of going beyond that. And the SWF does so by showing us how literature and writing might on the one hand be celebrated as&#8230;<a class="moretag" href="http://www.radikalchick.com/literature-as-serious-business/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the writing responsibility</title>
		<link>http://www.radikalchick.com/the-writing-responsibility/</link>
		<comments>http://www.radikalchick.com/the-writing-responsibility/#comments</comments>
		<pubDate>Thu, 06 Oct 2011 17:15:28 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[criticism and responsibility]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3494</guid>
		<description><![CDATA[because i&#8217;ve been thinking about, which is to say struggling with, writing and self-centeredness, this can only be serendipitous: a piece on poetry, but which is really about writing, from mabi david: To write is to come to an awareness, says Carolyn Forché, which I believe wholeheartedly. I write because it is the way available to me of thinking about the world, of apprehending experience. Thus is the self implicated in the poem. We must write with vigorous self-reflection and&#8230;<a class="moretag" href="http://www.radikalchick.com/the-writing-responsibility/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Luisa Mallari-Hall, teacher</title>
		<link>http://www.radikalchick.com/luisa-mallari-hall-teacher/</link>
		<comments>http://www.radikalchick.com/luisa-mallari-hall-teacher/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 04:42:25 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[edukasyon]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[sarili]]></category>
		<category><![CDATA[Luisa Mallari-Hall]]></category>
		<category><![CDATA[teacher's day 2011]]></category>
		<category><![CDATA[tribute]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3492</guid>
		<description><![CDATA[in April 2000, Prof. Luisa Mallari-Hall died in a plane crash, along with her husband and two children. she was a wonderful woman/teacher/friend/human being whose teaching continues to resonate with me, 15 years since she was first my teacher in 1996. these two essays were written soon after she died, the first one for a SEA newsletter, the second one i read at the tribute put together by the DECL in U.P. in 2010, i give birth and lose a&#8230;<a class="moretag" href="http://www.radikalchick.com/luisa-mallari-hall-teacher/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the path for Revolutionary Routes</title>
		<link>http://www.radikalchick.com/the-path-for-revolutionary-routes/</link>
		<comments>http://www.radikalchick.com/the-path-for-revolutionary-routes/#comments</comments>
		<pubDate>Wed, 17 Aug 2011 14:00:55 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[sarili]]></category>
		<category><![CDATA[Angela Stuart-Santiago]]></category>
		<category><![CDATA[creative non-fiction]]></category>
		<category><![CDATA[family history]]></category>
		<category><![CDATA[Revolutionary Routes]]></category>
		<category><![CDATA[Reynaldo Ileto]]></category>
		<category><![CDATA[Tayabas Province]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=3039</guid>
		<description><![CDATA[it was daunting more than anything else, though at some point all that operated was an amount of yabang: i&#8217;ve seen friends do this before, i&#8217;ve seen wonderful beautiful local books happen without a big publisher behind it, without press releases coming out in papers. and this book, i knew, deserved the major major effort of blood/sweat/tears because it is about family and history. because it is unconventional in form, an almost refusal to fall within the genres that are familiar,&#8230;<a class="moretag" href="http://www.radikalchick.com/the-path-for-revolutionary-routes/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>plagiarism apology as can of worms</title>
		<link>http://www.radikalchick.com/plagiarism-apology-as-can-of-worms/</link>
		<comments>http://www.radikalchick.com/plagiarism-apology-as-can-of-worms/#comments</comments>
		<pubDate>Mon, 11 Apr 2011 00:00:50 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[editor and revisionism]]></category>
		<category><![CDATA[editor as co-writer]]></category>
		<category><![CDATA[gmanewsonline]]></category>
		<category><![CDATA[Krip Yuson]]></category>
		<category><![CDATA[plagiarism]]></category>
		<category><![CDATA[Rey Joble]]></category>
		<category><![CDATA[rights of writer]]></category>
		<category><![CDATA[Rogue Magazine]]></category>
		<category><![CDATA[role of editor]]></category>
		<category><![CDATA[sport journalism]]></category>
		<category><![CDATA[sports writing]]></category>
		<category><![CDATA[Yuson commits plagiarism]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2095</guid>
		<description><![CDATA[because this is what happened when Krip Yuson apologized for his act of plagiarism: he opened a can of worms about writing in this country, about the hubris of the editor, about the question of writer versus editor, etc. etc. and you know I&#8217;m all for letting it all hang out, but given the gravity of an awarded Filipino writer plagiarizing, it just seems like the wrong time for invoking other worms. Worm #1: Yuson talks about being the editor&#8230;<a class="moretag" href="http://www.radikalchick.com/plagiarism-apology-as-can-of-worms/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>30</slash:comments>
		</item>
		<item>
		<title>art art art!</title>
		<link>http://www.radikalchick.com/art-art-art/</link>
		<comments>http://www.radikalchick.com/art-art-art/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 09:30:12 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[After Mall Hours]]></category>
		<category><![CDATA[art review]]></category>
		<category><![CDATA[exhibit review]]></category>
		<category><![CDATA[Extensions exhibit]]></category>
		<category><![CDATA[Foldabots]]></category>
		<category><![CDATA[J Pacena]]></category>
		<category><![CDATA[Jomike Tejido]]></category>
		<category><![CDATA[Kin Misa]]></category>
		<category><![CDATA[Lopez Museum]]></category>
		<category><![CDATA[Pilipinas Street Plan]]></category>
		<category><![CDATA[Pinoy toys]]></category>
		<category><![CDATA[rust and color]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=1918</guid>
		<description><![CDATA[these were up elsewhere that i love because they are untouched, unexpurgated, and i&#8217;m left to fawn or freak out and everything in between. art can only be about how it makes you feel eh? (1) Pilipinas Street Plan at the Lopez Museum&#8217;s Extensions. (2) The end of the art world via Kin Misa&#8217;s rust and color. (3) J Pacena&#8217;s After Mall Hours. (4) the Pinoy toy as art form and mythmaking. (1)]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ruben de jesus and the simple life</title>
		<link>http://www.radikalchick.com/ruben-de-jesus-and-the-simple-life/</link>
		<comments>http://www.radikalchick.com/ruben-de-jesus-and-the-simple-life/#comments</comments>
		<pubDate>Sun, 08 Aug 2010 20:33:31 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[children's illustrator]]></category>
		<category><![CDATA[children's literature]]></category>
		<category><![CDATA[complexity in art]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Filipinas Heritage Library]]></category>
		<category><![CDATA[Ilustrado ng Kabataan]]></category>
		<category><![CDATA[INK]]></category>
		<category><![CDATA[philippine art]]></category>
		<category><![CDATA[philippine contemporary art]]></category>
		<category><![CDATA[Ruben de Jesus]]></category>
		<category><![CDATA[Simpleng Buhay]]></category>
		<category><![CDATA[Simpleng Kulay]]></category>
		<category><![CDATA[simplicity in art]]></category>
		<category><![CDATA[Totet de Jesus]]></category>
		<category><![CDATA[University of the Philippines College of Fine Arts]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=622</guid>
		<description><![CDATA[a version of this is in the Arts and Books Section of the Philippine Daily Inquirer, August 9 2010. From afar, the first thing you notice about Ruben de Jesus’ works is its colors. Reds, blues and blacks are rendered in various and unexpected hues that play around with light and shadow and emphasis. Up close, each of the pen and ink works is a story in itself, at the same time that all together they could be bound into one&#8230;<a class="moretag" href="http://www.radikalchick.com/ruben-de-jesus-and-the-simple-life/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the sadness of here in Ypil&#8217;s highest hiding place</title>
		<link>http://www.radikalchick.com/the-sadness-of-here-in-ypils-highest-hiding-place/</link>
		<comments>http://www.radikalchick.com/the-sadness-of-here-in-ypils-highest-hiding-place/#comments</comments>
		<pubDate>Thu, 15 Apr 2010 01:01:08 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=541</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer, April 14 2010. Lawrence Lacambra Ypil’s first books of poems has many things going against it, including the fact that it is poetry and that it is in English, both of which limit it to a particular audience. More importantly, it comes at a time when the kind of Philippine poetry in English that’s celebrated – if publication and recent award-winning collections are any indication – has been about&#8230;<a class="moretag" href="http://www.radikalchick.com/the-sadness-of-here-in-ypils-highest-hiding-place/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2009&#8242;s Notable Cultural chevers*</title>
		<link>http://www.radikalchick.com/2009s-notable-cultural-chevers/</link>
		<comments>http://www.radikalchick.com/2009s-notable-cultural-chevers/#comments</comments>
		<pubDate>Thu, 07 Jan 2010 05:51:25 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[alternative culture]]></category>
		<category><![CDATA[culture 2009]]></category>
		<category><![CDATA[gender and sexuality]]></category>
		<category><![CDATA[gender politics]]></category>
		<category><![CDATA[literary culture]]></category>
		<category><![CDATA[masculine studies]]></category>
		<category><![CDATA[online culture]]></category>
		<category><![CDATA[pop culture]]></category>
		<category><![CDATA[popular culture]]></category>
		<category><![CDATA[popular literature]]></category>
		<category><![CDATA[tunay na lalake]]></category>
		<category><![CDATA[year ender 2009]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=484</guid>
		<description><![CDATA[As with all year-ender lists, this is necessarily full of itself, and can be accused of having a false sense of power, imagining itself to be comprehensive and truthful and correct. Unlike many of those Best of 2009! lists though, this is conscious of itself and its limitations, and is willing to be shot in the foot for missing the point entirely. Too, this isn’t really a Best Of list (haha!); this is really just a list of my top&#8230;<a class="moretag" href="http://www.radikalchick.com/2009s-notable-cultural-chevers/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>7</slash:comments>
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		<item>
		<title>The Reality of the Disappeared</title>
		<link>http://www.radikalchick.com/the-reality-of-the-disappeared/</link>
		<comments>http://www.radikalchick.com/the-reality-of-the-disappeared/#comments</comments>
		<pubDate>Sat, 13 Sep 2008 15:39:23 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[desaparesidos]]></category>
		<category><![CDATA[lualhati bautista]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=71</guid>
		<description><![CDATA[The premise of the disappeared is their silence. In Desaparesidos, Lualhati Baustista&#8217;s latest novel, what one is treated to is an articulation of these silences that the disappeared bear, over and above the lives that they live as names on a list of people who have been captured and jailed, raped and tortured, and killed. And while you might say Bautista has done this before, or that this story about the Marcos dictatorship is old hat, Desaparesidos is anything but a&#8230;<a class="moretag" href="http://www.radikalchick.com/the-reality-of-the-disappeared/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>preying on the birds</title>
		<link>http://www.radikalchick.com/preying-on-the-birds/</link>
		<comments>http://www.radikalchick.com/preying-on-the-birds/#comments</comments>
		<pubDate>Tue, 29 Apr 2008 20:10:07 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[Amado Hernandez]]></category>
		<category><![CDATA[classics]]></category>
		<category><![CDATA[Filipino literature]]></category>
		<category><![CDATA[Mga Ibong Mandaragit]]></category>
		<category><![CDATA[Philippine literature]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=7</guid>
		<description><![CDATA[i’m the last person who will look down on what people enjoy reading, nor will i insist that you must read certain books in order for you to be called “literary”. i will insist though that anyone who decides to diss any form of literature, particularly philippine lit, even more so literature in our vernaculars, has better sense than just his or her superficial notions of taste and literature, and in this case, language. this is exactly what connie veneracion&#8230;<a class="moretag" href="http://www.radikalchick.com/preying-on-the-birds/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>we wish for some truths</title>
		<link>http://www.radikalchick.com/we-wish-for-some-truths/</link>
		<comments>http://www.radikalchick.com/we-wish-for-some-truths/#comments</comments>
		<pubDate>Thu, 17 Apr 2008 20:08:35 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Carljoe Javier]]></category>
		<category><![CDATA[Dean Alfar]]></category>
		<category><![CDATA[Korina Today]]></category>
		<category><![CDATA[literature and the masses]]></category>
		<category><![CDATA[Philippine literature]]></category>
		<category><![CDATA[social class]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=6</guid>
		<description><![CDATA[chanced upon Korina Today, with Samantha Echavez, Carljoe Javier and Dean Francis Alfar, talking about their works included in what seems to be the anthology on tales of enchantment and fantasy, which is really beside the point of this critique. the point being this: Alfar says that having readers isn’t a matter of length or short attention spans, as with the blog and its accessibility in terms of form, but that it’s a matter of, and i quote, “the story”.&#8230;<a class="moretag" href="http://www.radikalchick.com/we-wish-for-some-truths/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>one last time: harry</title>
		<link>http://www.radikalchick.com/one-last-time-harry/</link>
		<comments>http://www.radikalchick.com/one-last-time-harry/#comments</comments>
		<pubDate>Thu, 23 Aug 2007 08:51:43 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[bestsellers]]></category>
		<category><![CDATA[graduate classes]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[teaching]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=4</guid>
		<description><![CDATA[once, long ago, someone was reporting on “The House of Spirits” in my M.A. class, and she started it off with the line: this has as audience the professional as well as the non-professional reader, but their appreciation of it is different. i don’t remember much of what else she said, but i do remember that a classmate and i could barely let her finish, because her premises were unacceptable. my mother who reads for leisure (as opposed to reading&#8230;<a class="moretag" href="http://www.radikalchick.com/one-last-time-harry/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Chicks Rule!</title>
		<link>http://www.radikalchick.com/chicks-rule/</link>
		<comments>http://www.radikalchick.com/chicks-rule/#comments</comments>
		<pubDate>Tue, 19 Jun 2007 14:29:27 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[chick lit]]></category>
		<category><![CDATA[chick literature]]></category>
		<category><![CDATA[Cosmopolitan Philippines]]></category>
		<category><![CDATA[pop culture]]></category>
		<category><![CDATA[pop lit]]></category>
		<category><![CDATA[popular literature]]></category>
		<category><![CDATA[Summit Books]]></category>
		<category><![CDATA[Tara Sering]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=16</guid>
		<description><![CDATA[published in PCIJ i-report, special report on Literature and Literacy, of the Philippine Center for Investigative Journalism, 19 June 2007 http://www.pcij.org/i-report/2007/chick-literature.html N.B.S.B. (No Boyfriend Since Birth). Love hurts. Hearts heal. Relationships are overrated. Marriage or living in? Promiscuity versus loyalty. Every girl needs a gay bestfriend. Better pay or fulfilling job? M.U. (Mutual Understanding). Shopping! Vacations. Self-worth and –confidence. Self-love. Single – not an old maid. Falling in love with your male bestfriend. The search for Mr. Right. H.D. (Hidden&#8230;<a class="moretag" href="http://www.radikalchick.com/chicks-rule/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>On Lumbera&#8217;s Plenary</title>
		<link>http://www.radikalchick.com/on-lumberas-plenary/</link>
		<comments>http://www.radikalchick.com/on-lumberas-plenary/#comments</comments>
		<pubDate>Fri, 02 Mar 2007 05:00:00 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Bienvenido Lumbera]]></category>
		<category><![CDATA[footnotes]]></category>
		<category><![CDATA[Philippine literature]]></category>
		<category><![CDATA[translating culture]]></category>
		<category><![CDATA[translation]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=23</guid>
		<description><![CDATA[“National Artist Bienvenido Lumbera reaffirms Asian identities in the national languages, as Int’l Literature Conference closes” This was a most fitting end. After two days of plenaries and panel sessions that talked about particular aspects of a very diverse set of cultures within Asia, Filipino National Artist Bienvenido Lumbera tied everything together by highlighting our dependence on, and thus the importance of, translation in his paper entitled “The Necessity of Footnotes: Translating the Culture.” In light of the various languages&#8230;<a class="moretag" href="http://www.radikalchick.com/on-lumberas-plenary/"> Continue reading&#160;&#187;</a>]]></description>
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