There is standard that Star Cinema has set when it comes to the romantic-comedy as a genre, and it’s a standard that has since re-set the formula for the effective rom-com, where effectivity is proven by both a movie’s creation of it’s own cult following and box office success.
We’ve always known Kris Aquino to be shameless. And no, to me this didn’t start with her wanting to join show business, neither was it about the fact that her mother’s presidency was riddled with her love affairs with “wrong” men, with a couple even fighting it out in Malacañang, no less. To me, the shamelessness began in 2003, September to be exact, when Yes Magazine featured this ex-presidential daughter as nothing but her clothes, her make-up, as nothing but… Continue reading »
it must have a lot to do with the conversations. when it can be had about the billboards that riddle the streets, where capital and colonialism, consumption and crises, become par for the course, of that long stretch of EDSA that cradles the car from one city to the next two, as it shifts from quiet residential to sprawling Manila, the dip in the tone, the way that it sounds, onomatopoeic i say, a conversation you’ve been having with your… Continue reading »
To get anywhere really, and in the end didn’t even get close to redeeming itself. Unless of course redemption is about finally – finally! – having a local romance that doesn’t end as happily as usual? But even that gets lost in the aftermath of a movie that was more than anything, a waste of talent (the actors’ and director’s) and time (mine). Forever And A Day (directed by Cathy Garcia-Molina, screenplay by Melissa Mae Chua and Carmi G. Raymundo) began with… Continue reading »