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	<title>RadikalChick &#187; libro</title>
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		<title>on self-help and the Pinay</title>
		<link>http://www.radikalchick.com/on-self-help-and-the-pinay/</link>
		<comments>http://www.radikalchick.com/on-self-help-and-the-pinay/#comments</comments>
		<pubDate>Sun, 01 Jan 2012 14:44:23 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[meta-self-help]]></category>
		<category><![CDATA[pinay]]></category>
		<category><![CDATA[self-help]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3789</guid>
		<description><![CDATA[or let&#8217;s begin 2012 by talking about oppression, shall we? My issue with self-help books is that they are mostly American. And anyone who lives off of the Philippines’ contradictions and silences, crises and sadnesses would know that not much of American self-help applies to the every Pinay. The 11 stupid things women do by Veronica Pulumbarit, based on the book by Dr. Laura Schlessinger Ten Stupid Things Women Do To Mess Up Their Lives among other sources, reeks of a&#8230;<a class="moretag" href="http://www.radikalchick.com/on-self-help-and-the-pinay/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>because literature IS serious business</title>
		<link>http://www.radikalchick.com/literature-as-serious-business/</link>
		<comments>http://www.radikalchick.com/literature-as-serious-business/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 15:28:30 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[responsibility]]></category>
		<category><![CDATA[Singapore Writers Fest 2011]]></category>
		<category><![CDATA[SWF]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3537</guid>
		<description><![CDATA[It seems like a foregone conclusion: how else would Singapore do a writers’ festival but with seriousness and business-like professionalism? What’s striking about the first few days of the Singapore Writers’ Festival (SWF) though is this: while business sense would dictate the selling of books in relation to the event, there’s also a clear sense here of going beyond that. And the SWF does so by showing us how literature and writing might on the one hand be celebrated as&#8230;<a class="moretag" href="http://www.radikalchick.com/literature-as-serious-business/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the path for Revolutionary Routes</title>
		<link>http://www.radikalchick.com/the-path-for-revolutionary-routes/</link>
		<comments>http://www.radikalchick.com/the-path-for-revolutionary-routes/#comments</comments>
		<pubDate>Wed, 17 Aug 2011 14:00:55 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[sarili]]></category>
		<category><![CDATA[Angela Stuart-Santiago]]></category>
		<category><![CDATA[creative non-fiction]]></category>
		<category><![CDATA[family history]]></category>
		<category><![CDATA[Revolutionary Routes]]></category>
		<category><![CDATA[Reynaldo Ileto]]></category>
		<category><![CDATA[Tayabas Province]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=3039</guid>
		<description><![CDATA[it was daunting more than anything else, though at some point all that operated was an amount of yabang: i&#8217;ve seen friends do this before, i&#8217;ve seen wonderful beautiful local books happen without a big publisher behind it, without press releases coming out in papers. and this book, i knew, deserved the major major effort of blood/sweat/tears because it is about family and history. because it is unconventional in form, an almost refusal to fall within the genres that are familiar,&#8230;<a class="moretag" href="http://www.radikalchick.com/the-path-for-revolutionary-routes/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>the brilliance of two left feet</title>
		<link>http://www.radikalchick.com/the-brilliance-of-two-left-feet/</link>
		<comments>http://www.radikalchick.com/the-brilliance-of-two-left-feet/#comments</comments>
		<pubDate>Sat, 30 Jul 2011 03:04:22 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[edukasyon]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[sarili]]></category>
		<category><![CDATA[Alvin Yapan]]></category>
		<category><![CDATA[Ang Sayaw ng Dalawang Kaliwang Paa]]></category>
		<category><![CDATA[Cinemalaya 2011]]></category>
		<category><![CDATA[Eli Jacinto]]></category>
		<category><![CDATA[independent films]]></category>
		<category><![CDATA[Jean Garcia]]></category>
		<category><![CDATA[Jema Pamintuan]]></category>
		<category><![CDATA[Paolo Avelino]]></category>
		<category><![CDATA[philippine cinema]]></category>
		<category><![CDATA[Pinoy film]]></category>
		<category><![CDATA[Rocco Nacino]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2692</guid>
		<description><![CDATA[had an infinitely emotional conversation with this non-fiction narrative of a review of Ang Sayaw ng Dalawang Kaliwang Paa. The teacher of literature, Karen (Jean Garcia), is enigmatic for a reason, but effective like every literature teacher should be. She reads poetry and it comes alive, she asks questions about it with certainty. She is unsurprised by any of her students&#8217; assertions, even as these are necessarily about sexuality and desire, love and intimacy, the act of gazing. Even as&#8230;<a class="moretag" href="http://www.radikalchick.com/the-brilliance-of-two-left-feet/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>art art art!</title>
		<link>http://www.radikalchick.com/art-art-art/</link>
		<comments>http://www.radikalchick.com/art-art-art/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 09:30:12 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[After Mall Hours]]></category>
		<category><![CDATA[art review]]></category>
		<category><![CDATA[exhibit review]]></category>
		<category><![CDATA[Extensions exhibit]]></category>
		<category><![CDATA[Foldabots]]></category>
		<category><![CDATA[J Pacena]]></category>
		<category><![CDATA[Jomike Tejido]]></category>
		<category><![CDATA[Kin Misa]]></category>
		<category><![CDATA[Lopez Museum]]></category>
		<category><![CDATA[Pilipinas Street Plan]]></category>
		<category><![CDATA[Pinoy toys]]></category>
		<category><![CDATA[rust and color]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=1918</guid>
		<description><![CDATA[these were up elsewhere that i love because they are untouched, unexpurgated, and i&#8217;m left to fawn or freak out and everything in between. art can only be about how it makes you feel eh? (1) Pilipinas Street Plan at the Lopez Museum&#8217;s Extensions. (2) The end of the art world via Kin Misa&#8217;s rust and color. (3) J Pacena&#8217;s After Mall Hours. (4) the Pinoy toy as art form and mythmaking. (1)]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the sadness of here in Ypil&#8217;s highest hiding place</title>
		<link>http://www.radikalchick.com/the-sadness-of-here-in-ypils-highest-hiding-place/</link>
		<comments>http://www.radikalchick.com/the-sadness-of-here-in-ypils-highest-hiding-place/#comments</comments>
		<pubDate>Thu, 15 Apr 2010 01:01:08 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=541</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer, April 14 2010. Lawrence Lacambra Ypil’s first books of poems has many things going against it, including the fact that it is poetry and that it is in English, both of which limit it to a particular audience. More importantly, it comes at a time when the kind of Philippine poetry in English that’s celebrated – if publication and recent award-winning collections are any indication – has been about&#8230;<a class="moretag" href="http://www.radikalchick.com/the-sadness-of-here-in-ypils-highest-hiding-place/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2009&#8242;s Notable Cultural chevers*</title>
		<link>http://www.radikalchick.com/2009s-notable-cultural-chevers/</link>
		<comments>http://www.radikalchick.com/2009s-notable-cultural-chevers/#comments</comments>
		<pubDate>Thu, 07 Jan 2010 05:51:25 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[alternative culture]]></category>
		<category><![CDATA[culture 2009]]></category>
		<category><![CDATA[gender and sexuality]]></category>
		<category><![CDATA[gender politics]]></category>
		<category><![CDATA[literary culture]]></category>
		<category><![CDATA[masculine studies]]></category>
		<category><![CDATA[online culture]]></category>
		<category><![CDATA[pop culture]]></category>
		<category><![CDATA[popular culture]]></category>
		<category><![CDATA[popular literature]]></category>
		<category><![CDATA[tunay na lalake]]></category>
		<category><![CDATA[year ender 2009]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=484</guid>
		<description><![CDATA[As with all year-ender lists, this is necessarily full of itself, and can be accused of having a false sense of power, imagining itself to be comprehensive and truthful and correct. Unlike many of those Best of 2009! lists though, this is conscious of itself and its limitations, and is willing to be shot in the foot for missing the point entirely. Too, this isn’t really a Best Of list (haha!); this is really just a list of my top&#8230;<a class="moretag" href="http://www.radikalchick.com/2009s-notable-cultural-chevers/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>The Reality of the Disappeared</title>
		<link>http://www.radikalchick.com/the-reality-of-the-disappeared/</link>
		<comments>http://www.radikalchick.com/the-reality-of-the-disappeared/#comments</comments>
		<pubDate>Sat, 13 Sep 2008 15:39:23 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[desaparesidos]]></category>
		<category><![CDATA[lualhati bautista]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=71</guid>
		<description><![CDATA[The premise of the disappeared is their silence. In Desaparesidos, Lualhati Baustista&#8217;s latest novel, what one is treated to is an articulation of these silences that the disappeared bear, over and above the lives that they live as names on a list of people who have been captured and jailed, raped and tortured, and killed. And while you might say Bautista has done this before, or that this story about the Marcos dictatorship is old hat, Desaparesidos is anything but a&#8230;<a class="moretag" href="http://www.radikalchick.com/the-reality-of-the-disappeared/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>A Dose of Self-Conscious Pinoy Machismo</title>
		<link>http://www.radikalchick.com/a-dose-of-self-conscious-pinoy-machismo/</link>
		<comments>http://www.radikalchick.com/a-dose-of-self-conscious-pinoy-machismo/#comments</comments>
		<pubDate>Tue, 12 Aug 2008 11:47:34 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[kultura]]></category>
		<category><![CDATA[libro]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[astig]]></category>
		<category><![CDATA[macho]]></category>
		<category><![CDATA[vlad gonzales]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=69</guid>
		<description><![CDATA[If there&#8217;s anything that made me pick up Isang Napakalaking Kaastigan by Vlad Bautista Gonzales, it was its size and title &#8211; the same things that allow me to pick up books by Milflores Publishing more often than I would any other publishing house. There&#8217;s something easy and light about the way their books are packaged, something that calls out to you as you browse through the Filipiniana section of any bookstore. And with prices that are almost always only equivalent&#8230;<a class="moretag" href="http://www.radikalchick.com/a-dose-of-self-conscious-pinoy-machismo/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
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