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	<title>RadikalChick &#187; kultura</title>
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	<link>http://www.radikalchick.com</link>
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		<title>in the end, it is just about love</title>
		<link>http://www.radikalchick.com/in-the-end-it-is-just-about-love/</link>
		<comments>http://www.radikalchick.com/in-the-end-it-is-just-about-love/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 07:40:55 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Bart Guingona]]></category>
		<category><![CDATA[Next Fall]]></category>
		<category><![CDATA[Pinoy theater]]></category>
		<category><![CDATA[Repertory Philippines]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3893</guid>
		<description><![CDATA[It’s easy to dismiss “Next Fall” by Geoffrey Nauffts as another gay play, as another one of those that romanticize the narrative of love that is different, because it’s not heterosexual. But that would be to miss out entirely on what else is unfolding in front of you as spectator, it would be to miss out on the nuances that’s in the rest of this narrative’s necessary transformation of the ways in which we might view homosexuality on the one&#8230;<a class="moretag" href="http://www.radikalchick.com/in-the-end-it-is-just-about-love/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>declared absences in nothing to declare</title>
		<link>http://www.radikalchick.com/declared-absences-in-nothing-to-declare/</link>
		<comments>http://www.radikalchick.com/declared-absences-in-nothing-to-declare/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 16:56:14 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Hanna Pettyjohn]]></category>
		<category><![CDATA[Nikki Luna]]></category>
		<category><![CDATA[Nothing to Declare]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[Yuchengco Museum]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3883</guid>
		<description><![CDATA[What might not have occurred to anyone who saw the call for submissions for the project “Nothing to Declare” was how big it could be. And when I say big, I mean huge; I mean in terms of the kind of space it would require, in terms of the kind of curatorial agency it would be premised on. Across the two museums and one gallery that carried the exhibit, the one that’s still running is at Yuchengco Museum—a good thing&#8230;<a class="moretag" href="http://www.radikalchick.com/declared-absences-in-nothing-to-declare/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>love &amp; clothes &amp; western kawomenan</title>
		<link>http://www.radikalchick.com/love-clothes-western-kawomenan/</link>
		<comments>http://www.radikalchick.com/love-clothes-western-kawomenan/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 12:35:37 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[bituin escalante]]></category>
		<category><![CDATA[love loss and what i wore]]></category>
		<category><![CDATA[Menchu Lauchengco-Yulo]]></category>
		<category><![CDATA[michael williams]]></category>
		<category><![CDATA[Pinoy theater]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3872</guid>
		<description><![CDATA[brought Angela to Love Loss and What I Wore, the local staging of a Nora Ephron and Delia Ephron original. mixed reviews in the US, but an interesting enough text owing to this third world Pinay&#8217;s class consciousness. and Bituin Escalante and Menchu Lauchengco-Yulo are equally brilliant in it. go see it, bring your mothers and girlfriends. will only run until Jan 22! :) saw it last year, and did this review.  Five women in all black outfits, mostly in the same&#8230;<a class="moretag" href="http://www.radikalchick.com/love-clothes-western-kawomenan/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Picasso at The Met: sex to begin with</title>
		<link>http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/</link>
		<comments>http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 02:45:35 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Metropolitan Museum Manila]]></category>
		<category><![CDATA[Picasso At The Met]]></category>
		<category><![CDATA[Suite Vollard]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3864</guid>
		<description><![CDATA[It is this rendering of the visceral as questionable that happens on the level of spectatorship with the series entitled the “Battle of Love” made up of etchings all entitled “Violación” (“Rape”). Here it is the Picasso’s hand that falls heavier or lighter as it renders the act of sex, presumed to be at its most violent, across a set of five images that look the same. But are different. The lighter strokes allow for the imagination of the act&#8230;<a class="moretag" href="http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Tito Jorge</title>
		<link>http://www.radikalchick.com/tito-jorge/</link>
		<comments>http://www.radikalchick.com/tito-jorge/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 10:01:42 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[akademya]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[sarili]]></category>
		<category><![CDATA[Jorge Arago 1943-2011]]></category>
		<category><![CDATA[rogue scholar]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3850</guid>
		<description><![CDATA[Tito Jorge would’ve laughed out loud, would’ve teased that this 35-year old was bawling like his widow under the watchful eye of Mother Teresa and an oven called Serenity. The 68-year old man had taught humor well. Irony, too. It seems it took him long enough. In 1994, Tito Jorge was working at the UP Film Center and on the last day for submission of UPCAT applications, arrived in the rain carrying with him – rolled up under his shirt&#8230;<a class="moretag" href="http://www.radikalchick.com/tito-jorge/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/tito-jorge/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Optimistic about the Pinoy indie: Graceland campaigns for pledges</title>
		<link>http://www.radikalchick.com/optimistic-about-the-pinoy-indie-graceland-campaigns-for-pledges/</link>
		<comments>http://www.radikalchick.com/optimistic-about-the-pinoy-indie-graceland-campaigns-for-pledges/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 12:12:44 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[Graceland]]></category>
		<category><![CDATA[ind]]></category>
		<category><![CDATA[indie filmmaking]]></category>
		<category><![CDATA[new media platforms]]></category>
		<category><![CDATA[Ron Morales]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3823</guid>
		<description><![CDATA[“Graceland” a film by Ron Morales is taking the online platforms for independent filmmaking and funding creative projects like no other Pinoy film has, indie and otherwise. At the award-winning film website Indiewire, the film got the most votes out of four films and was declared project of the week, which makes it eligible for the project of the month competition by January’s end. Over at funding platform Kickstarter, pledges for the film total over $15,000 dollars, more than half&#8230;<a class="moretag" href="http://www.radikalchick.com/optimistic-about-the-pinoy-indie-graceland-campaigns-for-pledges/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/optimistic-about-the-pinoy-indie-graceland-campaigns-for-pledges/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>grace in the land of Pinoy film</title>
		<link>http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/</link>
		<comments>http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 15:14:09 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[Graceland]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[vote for the Pinoy indie]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3807</guid>
		<description><![CDATA[(in the midst of all this talk about Pinoy films, indie and otherwise, from people who haven&#8217;t given it a chance in a long time, and are ready to dismiss it anyway.) here: listen to this Pinoy indie film director talk about his film Graceland, with quite the interesting plot of a kidnapping layered with class division and struggle, with an unabashed social realism made different by a merging of the film and the docu, of the fictional and the&#8230;<a class="moretag" href="http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>on Asiong Salonga, from one of the few Tunay na Lalakes i love</title>
		<link>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/</link>
		<comments>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 09:17:01 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[action film genre]]></category>
		<category><![CDATA[Asiong Salonga]]></category>
		<category><![CDATA[MMFF 2011]]></category>
		<category><![CDATA[Yol Jamendang]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3778</guid>
		<description><![CDATA[while i try and wrap my head around the mere existence of this movie, here&#8217;s a male voice i trust and love because it is consistent and self-conscious and always intelligent, even as it is Pinoy male macho. Ang tunay na lalake ay walang abs (At iba pang komento sa pelikulang Manila Kingpin: The Asiong Salonga Story) ni Yol Jamendang Eto ang lagay &#8211; matagal na, matagal na matagal na akong hindi nakakakita ng trailer ng pelikulang Pilipino na may&#8230;<a class="moretag" href="http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
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		<item>
		<title>the Marge and Jeremy show</title>
		<link>http://www.radikalchick.com/the-jeremy-and-margie-show/</link>
		<comments>http://www.radikalchick.com/the-jeremy-and-margie-show/#comments</comments>
		<pubDate>Sun, 11 Dec 2011 20:48:05 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[conversations]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kultura]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3678</guid>
		<description><![CDATA[i&#8217;m one to dish it out and so i know to take it, too. and i will apologize, i will admit to my own faults, as i already have in this case. but Mr. Jeremy Baer has not only attacked me twice, refusing to accept my apology; Dra. Margarita Holmes has also moved the discussion from her and my private Facebook pages to her Facebook fanpage. and so it seems about right to take this one on with as much&#8230;<a class="moretag" href="http://www.radikalchick.com/the-jeremy-and-margie-show/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>for Dr. Margie Holmes, an apology</title>
		<link>http://www.radikalchick.com/for-dr-margie-holmes-an-apology/</link>
		<comments>http://www.radikalchick.com/for-dr-margie-holmes-an-apology/#comments</comments>
		<pubDate>Sun, 11 Dec 2011 05:33:49 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[kultura]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3674</guid>
		<description><![CDATA[Dear Tita Marge, This is in light of what has turned out to be bigger than the kind reprimand that you gave me re the Rhian and Mo piece. I apologize that my response was such, but I had taken my cue from you as you kept saying it was a minor thing, both in the private message you sent me and the one on your Facebook wall. This edit was sent to my editor right after I read your&#8230;<a class="moretag" href="http://www.radikalchick.com/for-dr-margie-holmes-an-apology/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/for-dr-margie-holmes-an-apology/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>lives were lost</title>
		<link>http://www.radikalchick.com/lives-lost/</link>
		<comments>http://www.radikalchick.com/lives-lost/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 03:04:33 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[lugar]]></category>
		<category><![CDATA[Cojuangco oligarchy]]></category>
		<category><![CDATA[feudalism]]></category>
		<category><![CDATA[hacienda luisita]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3632</guid>
		<description><![CDATA[we should not forget. regardless of the success that is the distribution of Hacienda Luisita among farmer-beneficiaries. &#160;]]></description>
		<wfw:commentRss>http://www.radikalchick.com/lives-lost/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The (Un-)Worth of Words*</title>
		<link>http://www.radikalchick.com/the-un-worth-of-words/</link>
		<comments>http://www.radikalchick.com/the-un-worth-of-words/#comments</comments>
		<pubDate>Wed, 23 Nov 2011 02:16:30 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Ampatuan]]></category>
		<category><![CDATA[literary culture]]></category>
		<category><![CDATA[Maguindanao Massacre]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3628</guid>
		<description><![CDATA[Because there are no words, none worth using to talk about the Ampatuan Massacre, no words worthy of lives lost to such violence, to such power. What we should’ve been was out on the streets, angry, fearless, pointing a finger at (giving the finger to) the system that has been feeding private armies. But none of that happened. Instead we were quiet and enraged, watching the news at home, receiving word about the rumored real reason behind the encounter, which&#8230;<a class="moretag" href="http://www.radikalchick.com/the-un-worth-of-words/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rodel Tapaya WINS!</title>
		<link>http://www.radikalchick.com/rodel-tapaya-wins/</link>
		<comments>http://www.radikalchick.com/rodel-tapaya-wins/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 16:38:51 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pangyayari]]></category>
		<category><![CDATA[Rodel Tapaya]]></category>
		<category><![CDATA[Signature Art Prize 2011]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3621</guid>
		<description><![CDATA[Grand Prize, Signature Art Prize 2011! that&#8217;s out of 130 nominated works and 15 finalists from the Asia Pacific. and no, this prize isn&#8217;t the one based on people&#8217;s votes ha. wherefore art thou Pinoy pride? Baston ni Kabunian, Bilang Pero di Mabilang (Cane of Kabunian, numbered but cannot be counted) image from here. more info up at the Singapore Art Museum FB page.]]></description>
		<wfw:commentRss>http://www.radikalchick.com/rodel-tapaya-wins/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>on Manolo Sicat&#8217;s Matayataya</title>
		<link>http://www.radikalchick.com/on-manolo-sicats-matayataya/</link>
		<comments>http://www.radikalchick.com/on-manolo-sicats-matayataya/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 10:38:39 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[Manolo Sicat]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[Pinoy sculpture]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3618</guid>
		<description><![CDATA[White is what greets you when you enter the gallery that’s been transformed into a playground by Manolo Sicat’s Matayataya. The first reaction is one of joy: the kind that play allows, no matter how old we get, especially because it is reminiscent of the kids that we were when the streets were safe to play in. But it sinks in soon enough: play here is everything and violent, because the streets have changed, because the streets are now testament to&#8230;<a class="moretag" href="http://www.radikalchick.com/on-manolo-sicats-matayataya/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Notes on TEDx Diliman: ideas worth sharing? #4 &amp; #5!</title>
		<link>http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-sharing-4-5/</link>
		<comments>http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-sharing-4-5/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 12:13:25 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pangyayari]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Fernando Sena]]></category>
		<category><![CDATA[Nina Lim-Yuson]]></category>
		<category><![CDATA[TEDx Diliman]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3612</guid>
		<description><![CDATA[TEDx Talks are independently organized TED talks across the world, which is about “riveting talks by remarkable people.” TEDx Diliman was my first. This is a review of each of the TED talks that were part of it, done in 18 minutes or less, because that’s the time limit of a TED Talk. Read more about TED here, and check out this really good video on TEDx here. Fernando Sena: How to draw an eye with all due respect to someone who &#8220;needs&#8230;<a class="moretag" href="http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-sharing-4-5/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>Aquilizan-loving!</title>
		<link>http://www.radikalchick.com/aquilizan-loving/</link>
		<comments>http://www.radikalchick.com/aquilizan-loving/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 03:46:25 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Alfredo and Isabel Aquilizan]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Pinoy art]]></category>

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		<description><![CDATA[Because objects tie us to home, the things we carry are about the self we want to keep. Where there is no packing lightly when objects come to represent who we are, where we’ve been, where we hope to go. Where the usefulness of objects becomes secondary to the task of keeping, if not holding tight, lest self and memory and meaning are lost in the act of leaving. But notions of migration – not just movement – are carried by the&#8230;<a class="moretag" href="http://www.radikalchick.com/aquilizan-loving/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>notes on TEDx Diliman: ideas worth spreading? #3!</title>
		<link>http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-spreading-3/</link>
		<comments>http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-spreading-3/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 07:21:03 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Glecy Atienza]]></category>
		<category><![CDATA[Pinoy theater]]></category>
		<category><![CDATA[TEDx Diliman]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3579</guid>
		<description><![CDATA[TEDx Talks are independently organized TED talks across the world, which is about “riveting talks by remarkable people.” TEDx Diliman was my first. This is a review of each of the TED talks that were part of it, done in 18 minutes or less, because that’s the time limit of a TED Talk. Read more about TED here, and check out this really good video on TEDx here. Glecy Atienza on Buhay: Theater for Life what Ma&#8217;am Glecy had going for her TEDx&#8230;<a class="moretag" href="http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-spreading-3/"> Continue reading&#160;&#187;</a>]]></description>
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