The shameless conservatism in Nick Lizaso’s press release about his plans and vision for the Cultural Center of the Philippines (CCP), is ironic when one considers that we have a President who questions Catholicism and dogmatism time and again, and who insists on his freedom of speech – if not his freedom to offend – over and over. President Duterte unilaterally installed Lizaso as CCP head. But even the President himself would not pass the rules and regulations that Lizaso… Continue reading »
President Duterte’s installation of Nick Lizaso as head of the Cultural Center of the Philippines (CCP) is painfully ironic – if not dangerously so. On the one hand, it is clear that this President doesn’t care much about culture, so one wonders why he would appoint any of his men to these cultural leadership positions. On the other, one can see this as a statement in itself about what Duterte thinks about culture: anyone can lead it, never mind that… Continue reading »
The problems of the sectors of arts and culture in this country are multifarious, and there is no doubt that any of us cultural workers who are at the bottom of the totem pole can only believe in the possibilities of change, and look forward to it, too. Many of us try and work towards that change, but if cultural work is your bread and butter – and you’re not one of the lucky ones who comes from privilege to… Continue reading »
Because our short memory as nation is becoming legendary, and these days the manufactured noise is enough to distract us from what happened just yesterday, it seems important to review Torre de Manila, now that DMCI is going to get away with continuing its construction, as the Supreme Court has found that “The court has no jurisdiction over the subject matter; the petitioners (Knights of Rizal) have no standing to sue; and they (petitioners) stand to suffer no injury. Furthermore,… Continue reading »
Once again, Malacañang’s spokespersons had it wrong, commenting on the Madam Secretary episode before they even saw it, putting it into question for whatever it was that they were told it contained: a fictional Philippine President who’s punched in the face by the fictional US Secretary of State, for having made a sexual advance at her. That image, of a Philippine President, nose bleeding from the punch made the rounds, and of course the President’s propagandists and his spokespersons went on… Continue reading »
It came to me on the evening of February 21: why not “live” tweet the events of the EDSA People Power Revolution of 1986 as it happened? How hard could it be, I thought. I remember one year when the now defunct (but quite missed!) communications office of the previous government, which had Manolo Quezon in charge of history, actually sought to “live” tweet EDSA 1986, too. Besides, the original chronology of EDSA’s four days by Angela Stuart-Santiago is online… Continue reading »
First, an aside. I steered clear of writing about Miss Universe, any more than I already had long before the pageant even started its activities in this country. I stood and still stand squarely against holding the pageant here, especially at a time when we face the crises of poverty and need, of climate change and intermittent floods, when the dead are being collected off our streets, when the promise of change has yet to even be felt in fundamental,… Continue reading »
One of the more critical battles that any cultural institution should be waging at this point is the one against the unjust taxation of freelance cultural workers. This was one of Daang Matuwid’s most unkind tax policies, which was put into effect by former tax chief Kim Henares, for whom it didn’t matter how much a person earned, what mattered was that government could collect taxes on those earnings. I had hoped President Duterte’s men would take a look at… Continue reading »
Ever since President Duterte came into power, the only time(s) we’ve ever had a sense of what he thinks of arts and culture is when he appoints people to cultural institutions. And then there are those instances when we just hear people speaking as supporters of the President. Say, Freddie Aguilar saying he had been promised a Department of Culture and in place of that, the chairmanship of the National Commission for Culture and the Arts (NCCA). Or that time… Continue reading »
The family drama is … ahem … a Metro Manila Film Festival (MMFF) tradition, one that’s produced some interesting enough versions from the Tanging Ina series to Mano Po. And so it was no surprise that the purported / sold / imagined “change” via MMFF 2016 would deem it necessary to have a “family drama.” It was “Kabisera.” And while it did fulfill all the requirements for a family drama, i.e., there was a family, and there was a crisis, and the family pulled together —… Continue reading »
I’m a sucker for the Pinoy horror film formula: a scary setting, well-done sound design, the gulat factor. I’m the person in the cinema who will scream first, and the loudest, the person who is so ready to be scared. But of course the fear factor is only one of many aspects of the horror film, and one realizes given the effort that is put into a movie like Seklusyon (directed by Erik Matti, written by Anton C. Santamaria), that there is more to doing… Continue reading »
At the onset, having a light romance / romantic-comedy as part of the Metro Manila Film Festival’s self-proclaimed “change” and “revolution” was a good thing: it tells us that they weren’t deciding against certain genres just because these are considered “pop” and “therefore shallow” — it is after all easy to presume that all love stories are about the happy endings, and one can spot the formula from a mile away. But even formula has allowed for an amount of creativity in the rom-com through the… Continue reading »
Ang Babae Sa Septic Tank 2 #ForeverIsNotEnough is probably the most fun I’ve had in a local film since … well, the first Ang Babae Sa Septic Tank. It’s not that I do not find commercialized comedies funny — the ones that fall back on formula, the hilarious banter of every Vice Ganda movie character, even Sosy Problems from so many MMFFs ago. But there is a layer of intelligence that ABSST demands of itself, an ability at self-reflexivity that it demands of its audience, but… Continue reading »
When they opened the Cinematheque Centre in Manila in December 2015, the Film Development Council of the Philippines (FDCP) headed by Chairperson Briccio Santos, thought it would go the way of the four other Cinematheques they’ve opened in the provinces. That is, it would slowly gain a following as the audience for film screenings gradually grows. The slow but steady climb was a well-founded expectation. In Iloilo, Davao, Baguio and Zamboanga, the Cinematheques took time to take off, the public’s… Continue reading »
Walang pagkilos na kultural na hindi nababalot ng kontradiksyon. Kontradiksyon ang eleksyon at ang pagsampa ng kahit na sinong artista sa entablado ng sortie. Kontradiksyon ang pagsusulat bilang hanapbuhay para sa pulitiko. Kontradiksyon ang pagsusulat ng opinion column para sa diyaryong pagaari ng big business o oligarkiya. (AKO)
the trailer of the movie “Ang Taba Ko Kasi,” a trailer that has been online since February 1, a good month and half ago, has been deemed by the Movie Television Review and Classification Board (MTRCB) as unfit for public exhibition. lead actress Cai Cortez posted the MTRCB decision on her instagram, obviously and understandably exasperated by the decision.
while elsewhere in the world the discussions for women’s day and women’s month 2016 have been on the level of celebrity women’s bodies and slutshaming, role models and raising our young girls, in the Philippines we have a government that cannot even pretend to know what women need, much less what we want.
Though it was apt to kick-off a year with the promise of writing more about art, and hopefully more about art outside of this country (haha!), with the first Ai Weiwei exhibit in China, something that I happened upon when I was there in September, and rebelling against the very fixed and strict schedule set for the media group I was with. So I got in a cab and asked in my Chinese-English (which is really just English with a… Continue reading »
There is no looking at Ronald Ventura’s work without having in the back of my head that $1.1M dollar record-breaking sale at the 2011 Sotheby’s auction. In 2012 it seems he’s also had a good run at art auctions such as the Christie’s auction in Hong Kong last last year, which shouldn’t be a surprise really. Between the interest in Southeast Asian art and 2011’s record-breaking sale, it would seem strange if Ventura were not to ride that wave. It… Continue reading »
I wasn’t very good at doing arts and culture in the country the past year. But here’s a list of the strange, the good, the surprising in culture for 2015, not at all a best or worst list because … see the first sentence. First a critical aside: having worked as dramaturg for Kleptomaniacs and a bit with Tanghalang Pilipino in 2014 meant keeping the theater reviews to a minimum in 2015. I needed that time to let go of the little inside stories that I know,… Continue reading »
On election season, it is clear when we’re hearing nothing but pa-cute and pa-media mileage, not just because we must be critical of everything we hear, but because usually it is in these instances that candidates slip up, revealing precisely how little they know of the subjects they speak of, and how they presume — they imagine! — that we will believe anything at all that they say.
It has been confusing to say the least. But also it has been quite fascinating, this whole case of Ducky Paredes versus the broadsheet Malaya. Because it’s such a public display of what goes through the mind of a man who has been accused of plagiarism, and the kind of defensive stance he’s decided to take. How the decision to turn this story around — in fact get ahead of the story — and claim that one had been oppressed and un-paid, therefore that would explain whatever actions he was… Continue reading »