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We’ve always known Kris Aquino to be shameless. And no, to me this didn’t start with her wanting to join show business, neither was it about the fact that her mother’s presidency was riddled with her love affairs with “wrong” men, with a couple even fighting it out in Malacañang, no less. To me, the shamelessness began in 2003, September to be exact, when Yes Magazine featured this ex-presidential daughter as nothing but her clothes, her make-up, as nothing but… Continue reading »
I am the last person to defend SM, and I do think we’ve got enough malls and condos in this country. But one of the first things I asked when the petition to save the Philam Life Theater began to gain ground was: why? And no, not why did SMDC buy the Philam Life property, but why was this property sold at all? Yet that doesn’t seem to be a question that many people are asking. Instead we are asking… Continue reading »
The question of supporting Original Pilipino Music (OPM) is one that isn’t simple anymore, not in these times when cultural systems are so intricately intertwined, and television networks and cultural empires are kings. In this series I look at contemporary Pinoy music’s production(s) and unpack the contradictions and discriminations inherent in, and the context(s) crucial to, the fight for OPM as we know it. We say it often, and truth to tell in these shores it is true: many of… Continue reading »
The question of supporting Original Pilipino Music (OPM) is one that isn’t simple anymore, not in these times when cultural systems are so intricately intertwined, and television networks and cultural empires are kings. In this series I look at contemporary Pinoy music’s production(s) and unpack the contradictions and discriminations inherent in, and the context(s) crucial to, the fight for OPM as we know it. The reality show seems far off from a discussion on Original Pilipino Music (OPM), but anyone… Continue reading »
i do not understand this insistence that PNoy calling out Noli de Castro and TV Patrol on doing commentary instead of straightforward news delivery, is like the emperor’s new clothes. is like a kid having the temerity to tell the emperor, you’re naked sir, everyone — including yourself — has been duped into thinking you’re wearing something.
Lest Bayo think that a short three-sentence apology from its vice president is enough. Lest Bayo imagines that a flurry of memes is good publicity still. Lest they are ready to milk the noise that has surrounded this “What’s your mix?” campaign for all its worth and spin it by having these five girls Jasmine, Ana, Nikita, Margo and Kharu talk about how Filipino they are, or how much they love that percentage of them that’s Pinay. Lest Bayo thinks… Continue reading »
when my friend TJ Dimacali asked if i had seen this rappler piece, my response was a resounding “no” just because i keep from going to rappler when i can. in the past month or so though, people have been alerting me about certain articles and kinds of writing that point precisely to its, uh, identity crisis? or just its biases (kayo na ang nagtitinda ng magnum at coke at naglalagay ng obvious PR pieces under “lifestyle” and “business” instead of… Continue reading »
my friend Bebang Siy has experienced first hand the kind of oppressive treatment of writers over at Psicom Publishing. now it’s rare that writers speak the truth about publishing houses and contests, even as this might save other (younger naive) writers from being treated badly, too. so here, the first of the many issues i know writers have against Psicom.
this piece went up yesterday on that horrid cover for March that FHM Philippines was set on putting out. which it has pulled out, announced via that official statement posted on their website. that might be a success, but seriously? why is that official statement not a public apology? it needed to be an admission of having made a mistake, full stop.
It seems like an easy enough case of copyright infringement really. Filipino artist Leeroy New files a case against the producers of the movie “Enteng Ng Ina Mo” for copying his original muscle dress design and using it as the costume of its main villainess Satana. New wants to be paid P10 million pesos in damages; certainly a small amount given the P180 million plus that “Enteng” earned in its eight days of screening.
in November 2010, i blogged about Lucio Tan getting away with the plan to lay off regular Philippine Airline workers in favor of outsourcing services, with the Department of Labor and Employment siding with him. now, almost a year since, PNoy proves himself an Hacienda Luisita heir, and actually says the PALEA workers who are on strike might be held liable for economic sabotage. the President is saying that these regular employees who have served PAL — and therefore the public… Continue reading »
we don’t. but let me give you some proof. Enjoy Division is a group exhibit not just with a wonderful title, but which had a curatorial note by Antares Gomez Bartolome that the Light&Space Contemporary gallery decided to put down. the said note was critical of Malaysian curator Adeline Ooi’s assessment of Philippine contemporary art which looked down on us, i.e., “We already know you were conquered by the Spanish, sold to the Americans, raped by the Japanese and totally fucked… Continue reading »
on August 11 the presscon of the group Palayain Ang Sining became interesting to me for many reasons, least of all what was being said. and no, this wasn’t a measure of who was speaking, or what was being said, but the kind of room it became, filled with media as it was. and no, pinky webb wasn’t even there. neither was karen davila. but there were men with huge versions of their penises, este, long hard lenses. and they weren’t… Continue reading »
let me skip the fact that this artwork is old, i.e., this is the nth version of it that’s been exhibited. let me not do a review of the whole exhibit Kulo here, as i hope to still be able to do that with more time in my hands. in fact, this i feel is more urgent. elsewhere i praise pinky webb. since two days ago, i have completely changed my mind about her. by this fact: upon a complaint, and… Continue reading »
I’ve got faith in Soxy Topacio. Always have. Especially after that wonderful comedy that was Ded Na Si Lolo (2009) that could only rock the world of anyone who follows local movies – local comedies in particular. Topacio brilliantly captured the tragicomedy that is death and the family in a lower class setting without making it seem like a judgment, or an apologia for that matter. Ah, but maybe that was a movie that was by most counts about being an indie,… Continue reading »
been living under a rock, or just in the midst of book production and thesis writing, that i only realized people were finally angry with Bench for their darn sexy ads when the Philippine Volcanoes’ images (the National Rugby Team for you) were removed from the Guadalupe northbound stretch of billboards. Now know that on this stretch I have seen too much of Kris Aquino, strangely photoshopped Calayan beauty clients, and recently fully-clad Bench boys doing pretend-dancing, that when i… Continue reading »
We say it often, and truth to tell in these shores it is true: many of our less talented singers have albums, and many of our more talented musicians are without jobs. But what of the non-singer, someone who doesn’t sing at all, gathering a strong enough following for her CDs that she’s now on her fifth (count that!) solo album—and yes, that’s not counting the one she did with her son, and another about the rosary. Welcome the celebrity CD! At… Continue reading »
1. possible precursor: this pre-nuptial photo shoot of rockstar Jay Contreras and Sarah Abad, in a provincial cemetery. it isn’t the cemetery of heroes and had no crosses, but it sure seems like the peg for the irreverence in the current more controversial pre-nup shoot of Ruskin and Priscilla at the Libingan ng mga Bayani. so no, Priscilla and Ruskin weren’t quite “breaking conventions in pre-nup shoots here.” they were in fact doing a copy of a photoshoot that happened… Continue reading »
the breakdown and aftermath of the Rafael Santos debacle is interesting to me mostly for what’s still unsaid. 1. the fact of Santos’ class, and i use that word not just to point to his lack of social skills (for goodness why would he think a joke like that funny?) and bad manners (he was asked about actors he himself worked with for his film, yes?), but also his social class. that humor, if we’d like to call it that, is… Continue reading »
which is to ask: how good does it feel, really, now that Willing Willie has been suspended for a month, and now that the MTRCB has tasked itself to do the strangest of things: that is, watch every darn episode there is for possible “di kaaya-ayang” moments, for immediate sanctioning or approval of the next day’s show. it’s good ol’ Pinoy pag-initan natin ang show. the question of course is: wala bang ibang pangangailangan ang kultura MTRCB? if you were… Continue reading »
very few things survive the stretch of Bonifacio High Street, save for tents selling real estate. after all there’s “public art” here, ones that don’t change and are mostly closely guarded: a two dimensional mickey mouse here, an unconventional slide there, an inverted fountain further down. in this context, art of any form, installations of any other kind, would just seem out of place. but the way of the cross as reconsidered and reconfigured by Church Simplified succeeds in this space,… Continue reading »
because this is what happened when Krip Yuson apologized for his act of plagiarism: he opened a can of worms about writing in this country, about the hubris of the editor, about the question of writer versus editor, etc. etc. and you know I’m all for letting it all hang out, but given the gravity of an awarded Filipino writer plagiarizing, it just seems like the wrong time for invoking other worms. Worm #1: Yuson talks about being the editor… Continue reading »