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	<title>RadikalChick &#187; ibang boses</title>
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	<link>http://www.radikalchick.com</link>
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		<title>going to the dogs</title>
		<link>http://www.radikalchick.com/going-to-the-dogs/</link>
		<comments>http://www.radikalchick.com/going-to-the-dogs/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 11:11:43 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[online journalism]]></category>
		<category><![CDATA[online media]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3836</guid>
		<description><![CDATA[two weeks since the discussion that had most everyone ganging up on UST and Lito Zulueta and siding with Marites Danguilan Vitug ang rappler.com, where is the discourse on media (online and otherwise) at this point? rappler has quietly revealed itself to be about helping out government instead of being a critical voice that at the very least asks: how much was paid BBDO for this campaign and is it worth it? i guess no questions like that for &#8220;uncompromised journalism&#8221; now tagging&#8230;<a class="moretag" href="http://www.radikalchick.com/going-to-the-dogs/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>on Asiong Salonga, from one of the few Tunay na Lalakes i love</title>
		<link>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/</link>
		<comments>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 09:17:01 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[action film genre]]></category>
		<category><![CDATA[Asiong Salonga]]></category>
		<category><![CDATA[MMFF 2011]]></category>
		<category><![CDATA[Yol Jamendang]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3778</guid>
		<description><![CDATA[while i try and wrap my head around the mere existence of this movie, here&#8217;s a male voice i trust and love because it is consistent and self-conscious and always intelligent, even as it is Pinoy male macho. Ang tunay na lalake ay walang abs (At iba pang komento sa pelikulang Manila Kingpin: The Asiong Salonga Story) ni Yol Jamendang Eto ang lagay &#8211; matagal na, matagal na matagal na akong hindi nakakakita ng trailer ng pelikulang Pilipino na may&#8230;<a class="moretag" href="http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/on-asiong-salonga-from-one-of-the-few-tunay-na-lalakes-i-love/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>and just like that&#8230;</title>
		<link>http://www.radikalchick.com/and-just-like-that/</link>
		<comments>http://www.radikalchick.com/and-just-like-that/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 22:37:59 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[Joel Santiago]]></category>
		<category><![CDATA[no benefit of the doubt]]></category>
		<category><![CDATA[PNoy]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3732</guid>
		<description><![CDATA[By Joel Santiago I practically exhorted my Mom into writing in fairness to the president. “This is a show of force, a fierce display of political will,” I said. This is how he’ll get things done in Philippines politics — with change happening so fast it’ll make the trapos’ heads spin. And isn’t this how you’d want it? The only possible way it can happen? The only way to dig out of our entrenchment in the status quo? (Yeah, I was&#8230;<a class="moretag" href="http://www.radikalchick.com/and-just-like-that/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the writing responsibility</title>
		<link>http://www.radikalchick.com/the-writing-responsibility/</link>
		<comments>http://www.radikalchick.com/the-writing-responsibility/#comments</comments>
		<pubDate>Thu, 06 Oct 2011 17:15:28 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[panitikan]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[criticism and responsibility]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3494</guid>
		<description><![CDATA[because i&#8217;ve been thinking about, which is to say struggling with, writing and self-centeredness, this can only be serendipitous: a piece on poetry, but which is really about writing, from mabi david: To write is to come to an awareness, says Carolyn Forché, which I believe wholeheartedly. I write because it is the way available to me of thinking about the world, of apprehending experience. Thus is the self implicated in the poem. We must write with vigorous self-reflection and&#8230;<a class="moretag" href="http://www.radikalchick.com/the-writing-responsibility/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Cherie Gil, world class</title>
		<link>http://www.radikalchick.com/cherie-gil-world-class/</link>
		<comments>http://www.radikalchick.com/cherie-gil-world-class/#comments</comments>
		<pubDate>Mon, 20 Sep 2010 09:45:08 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[entablado]]></category>
		<category><![CDATA[ibang bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[star creation]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Cherie Gil]]></category>
		<category><![CDATA[Maria Callas]]></category>
		<category><![CDATA[Master Class]]></category>
		<category><![CDATA[world class]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=773</guid>
		<description><![CDATA[&#60;&#8230;&#62; as with many women, Callas also just wanted love. And this apparently, was her failing. Seeing her teach this master class though, is a testament as well to her spirit. She was stereotype, yes, she was diva, as expected. But too, she’s a woman who knows not to rest on her laurels, and instead actually wants to share it. That soft spot is what’s startlingly overwhelming about her persona. Cherie portrays Marie One realizes two things in watching Master&#8230;<a class="moretag" href="http://www.radikalchick.com/cherie-gil-world-class/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>20 days to go!</title>
		<link>http://www.radikalchick.com/20-days-to-go/</link>
		<comments>http://www.radikalchick.com/20-days-to-go/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 16:48:16 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[2010 elections]]></category>
		<category><![CDATA[anti-left rhetoric]]></category>
		<category><![CDATA[Manny Villar]]></category>
		<category><![CDATA[Ninoy Aquino]]></category>
		<category><![CDATA[Noynoy Aquino]]></category>
		<category><![CDATA[red-baiting]]></category>
		<category><![CDATA[the Left and poverty]]></category>
		<category><![CDATA[the Philippine Left]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=544</guid>
		<description><![CDATA[&#8220;Ninoy’s Testament From A Prison Cell and other writings might enlighten Noynoy a little about the Left. if there were no poverty and oppression, there would be no Left; snubbing and demonizing the Left (instead of finding a way for Left and Right to work together for the good of the whole) would not have been Ninoy’s way, is no way to honor Ninoy’s legacy, in fact it dishonors Ninoy’s legacy.&#8221; And while Stuart Santiago seems to have decided, I have yet&#8230;<a class="moretag" href="http://www.radikalchick.com/20-days-to-go/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>dreaming of a president 2010</title>
		<link>http://www.radikalchick.com/dreaming-of-a-president-2010/</link>
		<comments>http://www.radikalchick.com/dreaming-of-a-president-2010/#comments</comments>
		<pubDate>Fri, 15 Jan 2010 17:59:10 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=493</guid>
		<description><![CDATA[my friend Andrea Teran wrote and posted this on her Facebook account. absolutely worth reading, and just so goddamn true it&#8217;s crazy that we have yet to hear/read speeches such as this. just missing a section on freedom of expression and extrajudicial killings, pero winner pa rin. and presidenteng papatol/gagawa/maniniwala sa speech na &#8216;to. at si Drey of course. :) ****** For This and No Other Or, A Draft Campaign Speech for Any of the Next Possible Philippine Presidents, Provided&#8230;<a class="moretag" href="http://www.radikalchick.com/dreaming-of-a-president-2010/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>the young and the giddy</title>
		<link>http://www.radikalchick.com/the-young-and-the-giddy/</link>
		<comments>http://www.radikalchick.com/the-young-and-the-giddy/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 15:57:02 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=442</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer&#8217;s Arts and Books section, October 26 2009. She was obviously overwhelmed silly by the fact that she was chosen as one of ten most exciting young artists. Which is no surprise really. Dina Gadia is the youngest of the group at 23, and just might have more going for her other than her age: she has a clear sense of what it is that interests her, where her art&#8230;<a class="moretag" href="http://www.radikalchick.com/the-young-and-the-giddy/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the artist as activist</title>
		<link>http://www.radikalchick.com/the-artist-as-activist/</link>
		<comments>http://www.radikalchick.com/the-artist-as-activist/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 15:50:19 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[art and activism]]></category>
		<category><![CDATA[kiri dalena]]></category>
		<category><![CDATA[nokia's 10 young and exciting artists]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=440</guid>
		<description><![CDATA[a version of this was published in the Philippine Daily Inquirer&#8216;s Arts and Books section, October 26 2009. Kiri Dalena looks at me and acknowledges familiarity – here was no high and mighty, isolated and removed artist. After establishing the lines that bound us, she jokingly whispers a rhetorical question, “I am not young or exciting … why am I here?” There is nothing here in fact but self-deprecation, and a whole lot of humility. Kiri talks about her art, diverse&#8230;<a class="moretag" href="http://www.radikalchick.com/the-artist-as-activist/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>let&#8217;s talk about those dams!</title>
		<link>http://www.radikalchick.com/lets-talk-about-those-dams/</link>
		<comments>http://www.radikalchick.com/lets-talk-about-those-dams/#comments</comments>
		<pubDate>Wed, 30 Sep 2009 07:37:32 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[sa kalye]]></category>
		<category><![CDATA[angat dam]]></category>
		<category><![CDATA[dams]]></category>
		<category><![CDATA[ipo dam]]></category>
		<category><![CDATA[la mesa dam]]></category>
		<category><![CDATA[metro manila flood]]></category>
		<category><![CDATA[releasing water from dams]]></category>
		<category><![CDATA[the great flood]]></category>
		<category><![CDATA[typhoon ondoy]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=438</guid>
		<description><![CDATA[from stuartsantiago, after a lot of research, and yes, a lot of common sense. i understand the need to focus on relief, but please, let us be clear about who&#8217;s at fault here other than nature, other than the lack of urban planning, other than squatters (na tanging salarin, sabi ni Bayani Fernando). there were those dams, and there was someone responsible for releasing water from all two (or three!) at a time when yes, the rains were enough to&#8230;<a class="moretag" href="http://www.radikalchick.com/lets-talk-about-those-dams/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>plagiarism and karen davila</title>
		<link>http://www.radikalchick.com/plagiarism-and-karen-davila/</link>
		<comments>http://www.radikalchick.com/plagiarism-and-karen-davila/#comments</comments>
		<pubDate>Tue, 11 Aug 2009 14:58:50 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[ABSCBN]]></category>
		<category><![CDATA[ANC]]></category>
		<category><![CDATA[karen davila]]></category>
		<category><![CDATA[Laban ni Cory]]></category>
		<category><![CDATA[plagiarism]]></category>
		<category><![CDATA[responsible journalism]]></category>

		<guid isPermaLink="false">http://radikalchick.com/plagiarism-and-karen-davila/</guid>
		<description><![CDATA[i say plagiarism, at the very least, is a shameful display of one&#8217;s inability to write. and think. my nanay speaks: while it was great that upon cory’s death pinoy tv was swamped with docus that revisited her exalted place in philippine history, one docu, Laban ni Cory,  produced and aired many times by ABS-CBN 2 from august 2 onward, raised my ire and my eyebrows. my ire because some of karen davila’s narrative spiels covering the period of the&#8230;<a class="moretag" href="http://www.radikalchick.com/plagiarism-and-karen-davila/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>tungkol kay Nicole ni Joms Salvador</title>
		<link>http://www.radikalchick.com/tungkol-kay-nicole-ni-joms-salvador/</link>
		<comments>http://www.radikalchick.com/tungkol-kay-nicole-ni-joms-salvador/#comments</comments>
		<pubDate>Fri, 20 Mar 2009 12:48:24 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[Daniel Smith]]></category>
		<category><![CDATA[Joms Salvador]]></category>
		<category><![CDATA[Nicole]]></category>
		<category><![CDATA[November 1 2005]]></category>
		<category><![CDATA[rape]]></category>
		<category><![CDATA[Subic rape case]]></category>

		<guid isPermaLink="false">http://katrina.stuartsantiago.com/?p=230</guid>
		<description><![CDATA[hindi ko mapigilang magkomento sa ilang mga naging pahayag hinggil sa note na ito. una, sa pamantayan ng &#8216;preferable&#8217; o hindi, totoo namang mas maganda sana kung hindi &#8220;umatras&#8221; si nicole at ang kanyang pamilya. kung hindi sana sila napagod at nagtuloy-tuloy na lang sa laban. sa anumang punto de bista &#8212; bilang kapwa babae, bilang kapwa Pilipino, o kahit pa bilang biktima &#8212; walang puwedeng magkaila na mas maganda at kaayaaya sa mata ng publiko kung hindi inexecute ni&#8230;<a class="moretag" href="http://www.radikalchick.com/tungkol-kay-nicole-ni-joms-salvador/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
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