<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>RadikalChick &#187; entablado</title>
	<atom:link href="http://www.radikalchick.com/category/entablado/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.radikalchick.com</link>
	<description></description>
	<lastBuildDate>Sun, 05 Feb 2012 22:50:58 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>in the end, it is just about love</title>
		<link>http://www.radikalchick.com/in-the-end-it-is-just-about-love/</link>
		<comments>http://www.radikalchick.com/in-the-end-it-is-just-about-love/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 07:40:55 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Bart Guingona]]></category>
		<category><![CDATA[Next Fall]]></category>
		<category><![CDATA[Pinoy theater]]></category>
		<category><![CDATA[Repertory Philippines]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3893</guid>
		<description><![CDATA[It’s easy to dismiss “Next Fall” by Geoffrey Nauffts as another gay play, as another one of those that romanticize the narrative of love that is different, because it’s not heterosexual. But that would be to miss out entirely on what else is unfolding in front of you as spectator, it would be to miss out on the nuances that’s in the rest of this narrative’s necessary transformation of the ways in which we might view homosexuality on the one&#8230;<a class="moretag" href="http://www.radikalchick.com/in-the-end-it-is-just-about-love/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/in-the-end-it-is-just-about-love/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>love &amp; clothes &amp; western kawomenan</title>
		<link>http://www.radikalchick.com/love-clothes-western-kawomenan/</link>
		<comments>http://www.radikalchick.com/love-clothes-western-kawomenan/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 12:35:37 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[bituin escalante]]></category>
		<category><![CDATA[love loss and what i wore]]></category>
		<category><![CDATA[Menchu Lauchengco-Yulo]]></category>
		<category><![CDATA[michael williams]]></category>
		<category><![CDATA[Pinoy theater]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3872</guid>
		<description><![CDATA[brought Angela to Love Loss and What I Wore, the local staging of a Nora Ephron and Delia Ephron original. mixed reviews in the US, but an interesting enough text owing to this third world Pinay&#8217;s class consciousness. and Bituin Escalante and Menchu Lauchengco-Yulo are equally brilliant in it. go see it, bring your mothers and girlfriends. will only run until Jan 22! :) saw it last year, and did this review.  Five women in all black outfits, mostly in the same&#8230;<a class="moretag" href="http://www.radikalchick.com/love-clothes-western-kawomenan/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/love-clothes-western-kawomenan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>notes on TEDx Diliman: ideas worth spreading? #3!</title>
		<link>http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-spreading-3/</link>
		<comments>http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-spreading-3/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 07:21:03 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[conversations]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Glecy Atienza]]></category>
		<category><![CDATA[Pinoy theater]]></category>
		<category><![CDATA[TEDx Diliman]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3579</guid>
		<description><![CDATA[TEDx Talks are independently organized TED talks across the world, which is about “riveting talks by remarkable people.” TEDx Diliman was my first. This is a review of each of the TED talks that were part of it, done in 18 minutes or less, because that’s the time limit of a TED Talk. Read more about TED here, and check out this really good video on TEDx here. Glecy Atienza on Buhay: Theater for Life what Ma&#8217;am Glecy had going for her TEDx&#8230;<a class="moretag" href="http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-spreading-3/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/notes-on-tedx-diliman-ideas-worth-spreading-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Menchu Lauchengco-Yulo &amp; Jett Pangan FTW!</title>
		<link>http://www.radikalchick.com/menchu-lauchengco-yulo-jett-pangan-ftw/</link>
		<comments>http://www.radikalchick.com/menchu-lauchengco-yulo-jett-pangan-ftw/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 06:57:55 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Atlantis Productions]]></category>
		<category><![CDATA[Jett Pangan]]></category>
		<category><![CDATA[Menchu Lauchengco-Yulo]]></category>
		<category><![CDATA[Next To Normal]]></category>
		<category><![CDATA[Pinoy theater]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3597</guid>
		<description><![CDATA[and on Next To Normal: Which brings me to Pangan, who’s the best that I’ve seen him here. Without the trappings of a more complex because highly fictionalized or fantastic role, with only the seeming simplicity of a father and husband character, what’s here is pure unadulterated Pangan, and a voice that can move from optimism to helplessness to nostalgic in equal turns. But it’s in that breakdown scene that Pangan proves himself theater actor, with anguish that echoes with&#8230;<a class="moretag" href="http://www.radikalchick.com/menchu-lauchengco-yulo-jett-pangan-ftw/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/menchu-lauchengco-yulo-jett-pangan-ftw/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>celebrating the production of Peter Pan</title>
		<link>http://www.radikalchick.com/celebrating-the-production-of-peter-pan/</link>
		<comments>http://www.radikalchick.com/celebrating-the-production-of-peter-pan/#comments</comments>
		<pubDate>Sun, 16 Oct 2011 23:46:24 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[philippine theater]]></category>
		<category><![CDATA[Repertory Philippines]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3509</guid>
		<description><![CDATA[A text like Peter Pan banks on wonder, given an audience of children who would be overwhelmed by the idea of flight. But it also banks on an adult audience that can go back to an amount of youthful innocence, given the familiar. Of course this familiarity can also be this text’s undoing, owing to its many versions, some more iconic than others (think Robin Williams as Peter). Any staging / rendering / version then can only really be successful&#8230;<a class="moretag" href="http://www.radikalchick.com/celebrating-the-production-of-peter-pan/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/celebrating-the-production-of-peter-pan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tinarantadong Asintado FTW!</title>
		<link>http://www.radikalchick.com/tinarantadong-asintado-ftw/</link>
		<comments>http://www.radikalchick.com/tinarantadong-asintado-ftw/#comments</comments>
		<pubDate>Mon, 03 Oct 2011 23:54:01 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Dulaang UP]]></category>
		<category><![CDATA[Layeta Bucoy]]></category>
		<category><![CDATA[Pinoy theater]]></category>
		<category><![CDATA[theater adaptations]]></category>
		<category><![CDATA[Tinarantadong Asintado]]></category>
		<category><![CDATA[Titus Andronicus]]></category>
		<category><![CDATA[Tuxqs Rutaquio]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3484</guid>
		<description><![CDATA[In the age of doing Manila runs of foreign plays versus doing the more creative task of adapting these for local audiences, Dulaang UP’s Titus Andronicus: Tinarantadong Asintado can only be valuable. Directed by Tuxqs Rutaquio and adapted into Filipino by Layeta Bucoy, what’s remarkable about this work is that it does justice to the Shakespeare original while delivering a contemporary narrative that by all counts is a success. The moment pop/street music filled the theater, the moment the clown&#8230;<a class="moretag" href="http://www.radikalchick.com/tinarantadong-asintado-ftw/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/tinarantadong-asintado-ftw/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>death and comedy at the Virgin Labfest 7</title>
		<link>http://www.radikalchick.com/death-and-comedy-at-the-virgin-labfest-7/</link>
		<comments>http://www.radikalchick.com/death-and-comedy-at-the-virgin-labfest-7/#comments</comments>
		<pubDate>Wed, 27 Jul 2011 09:53:44 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Bawal Tumawid Nakamamatay]]></category>
		<category><![CDATA[The Valley Mission Care]]></category>
		<category><![CDATA[virgin labfest 7]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2537</guid>
		<description><![CDATA[The comedy with which death is dealt in two plays at the Virgin Labfest 7, presented at the Cultural Center of the Philippines, was in no way extraordinary. After all, we’re in a country where laughter in the face of difficulty is cliché. Yet what might be extraordinary in both The Valley Mission Care written by Russell Legaspi and directed by Missy Maramara, and Bawal Tumawid Nakamamatay written and directed by Joey Paras, is precisely its reconfiguration of these clichés into notions of letting&#8230;<a class="moretag" href="http://www.radikalchick.com/death-and-comedy-at-the-virgin-labfest-7/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/death-and-comedy-at-the-virgin-labfest-7/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>two plays: Virgin Labfest 7</title>
		<link>http://www.radikalchick.com/two-plays-virgin-labfest-7/</link>
		<comments>http://www.radikalchick.com/two-plays-virgin-labfest-7/#comments</comments>
		<pubDate>Mon, 11 Jul 2011 09:00:01 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Floy Quintos' Evening At The Opera]]></category>
		<category><![CDATA[philippine theater]]></category>
		<category><![CDATA[Rae Red's Kawala]]></category>
		<category><![CDATA[virgin labfest 7]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2464</guid>
		<description><![CDATA[because with a festival pass at P1,000 pesos, these two plays were already value for money. and really it makes you wonder why P1,000 pesos would allow you to watch all 18 plays at Virgin Labfest, yet all it will get you are 4 to 6 movies give or take, at the Cinemalaya. and we wonder where the double standard lies? on Floy Quintos&#8217; Evening At The Opera When a stage is filled with a king-size bed, a dresser, and&#8230;<a class="moretag" href="http://www.radikalchick.com/two-plays-virgin-labfest-7/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/two-plays-virgin-labfest-7/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>on class, the indie film divide, and what unity must mean</title>
		<link>http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/</link>
		<comments>http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 09:15:22 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[paying debt]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[the elite]]></category>
		<category><![CDATA[artist union]]></category>
		<category><![CDATA[philippine independent cinema]]></category>
		<category><![CDATA[philippine theater]]></category>
		<category><![CDATA[Rafael Santos]]></category>
		<category><![CDATA[the indie film divide]]></category>
		<category><![CDATA[theater actors' union]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2397</guid>
		<description><![CDATA[the breakdown and aftermath of the Rafael Santos debacle is interesting to me mostly for what&#8217;s still unsaid. 1. the fact of Santos&#8217; class, and i use that word not just to point to his lack of social skills (for goodness why would he think a joke like that funny?) and bad manners (he was asked about actors he himself worked with for his film, yes?), but also his social class. that humor, if we&#8217;d like to call it that, is&#8230;<a class="moretag" href="http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/on-class-the-indie-film-divide-and-what-unity-must-mean/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>OPT: original Pinoy talent</title>
		<link>http://www.radikalchick.com/opt-original-pinoy-talent/</link>
		<comments>http://www.radikalchick.com/opt-original-pinoy-talent/#comments</comments>
		<pubDate>Thu, 03 Mar 2011 08:54:40 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[local musical theater]]></category>
		<category><![CDATA[musical theater]]></category>
		<category><![CDATA[Orosman at Zafira]]></category>
		<category><![CDATA[philippine theater]]></category>
		<category><![CDATA[Pinoy musicals]]></category>
		<category><![CDATA[Pinoy theater]]></category>
		<category><![CDATA[Rent 2011]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=1972</guid>
		<description><![CDATA[because Orosman at Zafira is all-original: music, lyrics, talent. and even when Rent 2011 is obviously an American text, there is here, real Pinoy talent. both reviews are up at gmanewsonline!]]></description>
		<wfw:commentRss>http://www.radikalchick.com/opt-original-pinoy-talent/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>plump and pretty and political correctness</title>
		<link>http://www.radikalchick.com/plump-and-pretty-and-political-correctness/</link>
		<comments>http://www.radikalchick.com/plump-and-pretty-and-political-correctness/#comments</comments>
		<pubDate>Wed, 09 Feb 2011 05:31:26 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pagkain]]></category>
		<category><![CDATA[produkto]]></category>
		<category><![CDATA[sa kalye]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[beauty pageants]]></category>
		<category><![CDATA[mandaluyong city]]></category>
		<category><![CDATA[weight]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=1886</guid>
		<description><![CDATA[on an otherwise quiet Saturday, driving home from a jog in the Fort, I could only be jarred into the realization that the cities we live in survive on activities within and in and by itself. and no this doesn&#8217;t mean fiestas anymore, not in this day and age. it seems that the city&#8217;s local beauty pageant had just been held, a tarp with the Mayor&#8217;s face actually announces the event. the Miss Mandaluyong candidates had one tarpaulin each, hung on a post&#8230;<a class="moretag" href="http://www.radikalchick.com/plump-and-pretty-and-political-correctness/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/plump-and-pretty-and-political-correctness/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>2010’s top TV (and showbiz) distractions / destructions</title>
		<link>http://www.radikalchick.com/2010%e2%80%99s-top-tv-and-showbiz-distractions-destructions/</link>
		<comments>http://www.radikalchick.com/2010%e2%80%99s-top-tv-and-showbiz-distractions-destructions/#comments</comments>
		<pubDate>Mon, 03 Jan 2011 08:52:43 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[entablado]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[internet]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[star creation]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[2010 on TV]]></category>
		<category><![CDATA[2010 year ender]]></category>
		<category><![CDATA[2011 wishes for TV]]></category>
		<category><![CDATA[Aljur Abrenica]]></category>
		<category><![CDATA[being celebrity]]></category>
		<category><![CDATA[celebrity decency]]></category>
		<category><![CDATA[Dennis Trillo]]></category>
		<category><![CDATA[Elmo Magalona]]></category>
		<category><![CDATA[hopeful for 2011]]></category>
		<category><![CDATA[John Lloyd Cruz]]></category>
		<category><![CDATA[Magalona mania]]></category>
		<category><![CDATA[Philippine TV in 2010]]></category>
		<category><![CDATA[Pinoy TV]]></category>
		<category><![CDATA[Ryan Agoncillo]]></category>
		<category><![CDATA[Ryan Bang]]></category>
		<category><![CDATA[Saab Magalona]]></category>
		<category><![CDATA[the vamps]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=1747</guid>
		<description><![CDATA[Now this obviously cuts across networks, so that is its limitation as well: I can’t quite watch two soap operas at the same time, though I will try all the time. There is no list that isn’t biased, and this one for Pinoy TV and showbiz in 2010 is also a measure of my own personal taste for that which is different, and new, and sometimes a  bit inane. John Lloyd Cruz in a genre all his own. Because he&#8230;<a class="moretag" href="http://www.radikalchick.com/2010%e2%80%99s-top-tv-and-showbiz-distractions-destructions/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/2010%e2%80%99s-top-tv-and-showbiz-distractions-destructions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the revolution cannot be staged</title>
		<link>http://www.radikalchick.com/the-revolution-cannot-be-staged/</link>
		<comments>http://www.radikalchick.com/the-revolution-cannot-be-staged/#comments</comments>
		<pubDate>Wed, 06 Oct 2010 00:45:52 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Ayen Munji Laurel]]></category>
		<category><![CDATA[Banaag at Sikat]]></category>
		<category><![CDATA[Banaue Miclat]]></category>
		<category><![CDATA[Bienvenido Lumbera]]></category>
		<category><![CDATA[cultural center of the philippines]]></category>
		<category><![CDATA[musicale]]></category>
		<category><![CDATA[pinoy rock]]></category>
		<category><![CDATA[rock 'n' roll]]></category>
		<category><![CDATA[rock opera]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=904</guid>
		<description><![CDATA[I had high hopes for Banaag at Sikat, The Rock Opera, a promise of good music and singing, a contemporary retelling of Lope K. Santos’ original novel on the winds of change that would bring the country to revolt against the overwhelming conditions that capitalism and feudalism wrought on the nation. But as it began with fake guitar playing between friends Delfin (Al Gatmaitan) and Felipe (Roeder Camañag), attached to what then becomes a fake amplifier, and with dancing from a&#8230;<a class="moretag" href="http://www.radikalchick.com/the-revolution-cannot-be-staged/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/the-revolution-cannot-be-staged/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>relevant RockEd culture: notes on contemporary Pinoy rakenrol</title>
		<link>http://www.radikalchick.com/896/</link>
		<comments>http://www.radikalchick.com/896/#comments</comments>
		<pubDate>Mon, 04 Oct 2010 07:19:56 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[aktibismo]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[radikalchick.lit]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[imago]]></category>
		<category><![CDATA[johnoy danao]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[OPM]]></category>
		<category><![CDATA[original pilipino music]]></category>
		<category><![CDATA[outerhope]]></category>
		<category><![CDATA[Peryodiko]]></category>
		<category><![CDATA[pinoy music]]></category>
		<category><![CDATA[pinoy rock]]></category>
		<category><![CDATA[rock 'n' roll]]></category>
		<category><![CDATA[Rock the Rehas]]></category>
		<category><![CDATA[RockEd]]></category>
		<category><![CDATA[RockEd Philippines]]></category>
		<category><![CDATA[rockstars]]></category>
		<category><![CDATA[Sugarfree]]></category>
		<category><![CDATA[tanya markova]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=896</guid>
		<description><![CDATA[The noise is overwhelming. SaGuijo isn’t made for long conversations with friends, not even when you’re all outside sitting at the farthest table from the entrance, having drinks and cigarettes. The truth is you’ve been here since dinnertime when it was empty and bright. You almost forgot it was the place of noise and crowds and youth, the one you hadn’t gone to in a while. It had been a long day and, both emotionally and literally, food was what you needed. You also&#8230;<a class="moretag" href="http://www.radikalchick.com/896/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/896/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cherie Gil, world class</title>
		<link>http://www.radikalchick.com/cherie-gil-world-class/</link>
		<comments>http://www.radikalchick.com/cherie-gil-world-class/#comments</comments>
		<pubDate>Mon, 20 Sep 2010 09:45:08 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[entablado]]></category>
		<category><![CDATA[ibang bayan]]></category>
		<category><![CDATA[ibang boses]]></category>
		<category><![CDATA[iconography]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[star creation]]></category>
		<category><![CDATA[teatro]]></category>
		<category><![CDATA[Cherie Gil]]></category>
		<category><![CDATA[Maria Callas]]></category>
		<category><![CDATA[Master Class]]></category>
		<category><![CDATA[world class]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=773</guid>
		<description><![CDATA[&#60;&#8230;&#62; as with many women, Callas also just wanted love. And this apparently, was her failing. Seeing her teach this master class though, is a testament as well to her spirit. She was stereotype, yes, she was diva, as expected. But too, she’s a woman who knows not to rest on her laurels, and instead actually wants to share it. That soft spot is what’s startlingly overwhelming about her persona. Cherie portrays Marie One realizes two things in watching Master&#8230;<a class="moretag" href="http://www.radikalchick.com/cherie-gil-world-class/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/cherie-gil-world-class/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>senior moments, notwithstanding</title>
		<link>http://www.radikalchick.com/senior-moments-notwithstanding/</link>
		<comments>http://www.radikalchick.com/senior-moments-notwithstanding/#comments</comments>
		<pubDate>Tue, 07 Sep 2010 11:38:35 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[entablado]]></category>
		<category><![CDATA[kawomenan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[tugtugan]]></category>
		<category><![CDATA[concerts]]></category>
		<category><![CDATA[Juicy Cat Dolls]]></category>
		<category><![CDATA[Mitch Valdes]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Nanette Inventor]]></category>
		<category><![CDATA[on stage]]></category>
		<category><![CDATA[Pilita Corales]]></category>
		<category><![CDATA[senior citizen]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=721</guid>
		<description><![CDATA[Granted, I had paid for really good tickets, treating my mom to what I thought she would find enjoyable, as a matter of friendship (with Tita Mitch), as a matter of wit and humor, the kind that we both know is few and far between as far as contemporary Pinoy comedy is concerned. So on that tiny stage of Music Museum, on their Manila run (they’ve been touring the country, apparently), the Juicy Cat Dolls strutted their stuff. And there&#8230;<a class="moretag" href="http://www.radikalchick.com/senior-moments-notwithstanding/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/senior-moments-notwithstanding/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>brecht notwithstanding</title>
		<link>http://www.radikalchick.com/brecht-notwithstanding/</link>
		<comments>http://www.radikalchick.com/brecht-notwithstanding/#comments</comments>
		<pubDate>Sun, 15 Nov 2009 09:38:33 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[entablado]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[Chamaine Buencamino]]></category>
		<category><![CDATA[Chamaine Centenera]]></category>
		<category><![CDATA[Don Pagusara]]></category>
		<category><![CDATA[Madonna Brava ng Mindanao]]></category>
		<category><![CDATA[Mother Courage and her children]]></category>
		<category><![CDATA[philippine theater]]></category>
		<category><![CDATA[spectatorship]]></category>
		<category><![CDATA[spectatorship of theater]]></category>
		<category><![CDATA[Tanghalang Pilipino]]></category>
		<category><![CDATA[theater adaptations]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=455</guid>
		<description><![CDATA[The risk any theater adaptation takes is the fact of intertextuality. One person will enter the theater with no knowledge whatsoever of the theatrical context(s) of the play she is about to see. That person may be seated next to a theater scholar, adept in drama theories and well read on dramatic texts. At the back row are audience members who are just there for the ride, with no real interest in theater, but are there because one of the lead&#8230;<a class="moretag" href="http://www.radikalchick.com/brecht-notwithstanding/"> Continue reading&#160;&#187;</a>]]></description>
		<wfw:commentRss>http://www.radikalchick.com/brecht-notwithstanding/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

