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	<title>RadikalChick &#187; arteng biswal</title>
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		<title>declared absences in nothing to declare</title>
		<link>http://www.radikalchick.com/declared-absences-in-nothing-to-declare/</link>
		<comments>http://www.radikalchick.com/declared-absences-in-nothing-to-declare/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 16:56:14 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Hanna Pettyjohn]]></category>
		<category><![CDATA[Nikki Luna]]></category>
		<category><![CDATA[Nothing to Declare]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[Yuchengco Museum]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3883</guid>
		<description><![CDATA[What might not have occurred to anyone who saw the call for submissions for the project “Nothing to Declare” was how big it could be. And when I say big, I mean huge; I mean in terms of the kind of space it would require, in terms of the kind of curatorial agency it would be premised on. Across the two museums and one gallery that carried the exhibit, the one that’s still running is at Yuchengco Museum—a good thing&#8230;<a class="moretag" href="http://www.radikalchick.com/declared-absences-in-nothing-to-declare/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Picasso at The Met: sex to begin with</title>
		<link>http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/</link>
		<comments>http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 02:45:35 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Metropolitan Museum Manila]]></category>
		<category><![CDATA[Picasso At The Met]]></category>
		<category><![CDATA[Suite Vollard]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3864</guid>
		<description><![CDATA[It is this rendering of the visceral as questionable that happens on the level of spectatorship with the series entitled the “Battle of Love” made up of etchings all entitled “Violación” (“Rape”). Here it is the Picasso’s hand that falls heavier or lighter as it renders the act of sex, presumed to be at its most violent, across a set of five images that look the same. But are different. The lighter strokes allow for the imagination of the act&#8230;<a class="moretag" href="http://www.radikalchick.com/picasso-at-the-met-sex-to-begin-with/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>grace in the land of Pinoy film</title>
		<link>http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/</link>
		<comments>http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 15:14:09 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pelikula]]></category>
		<category><![CDATA[Graceland]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[vote for the Pinoy indie]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3807</guid>
		<description><![CDATA[(in the midst of all this talk about Pinoy films, indie and otherwise, from people who haven&#8217;t given it a chance in a long time, and are ready to dismiss it anyway.) here: listen to this Pinoy indie film director talk about his film Graceland, with quite the interesting plot of a kidnapping layered with class division and struggle, with an unabashed social realism made different by a merging of the film and the docu, of the fictional and the&#8230;<a class="moretag" href="http://www.radikalchick.com/grace-in-the-land-of-pinoy-film/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rodel Tapaya WINS!</title>
		<link>http://www.radikalchick.com/rodel-tapaya-wins/</link>
		<comments>http://www.radikalchick.com/rodel-tapaya-wins/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 16:38:51 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pangyayari]]></category>
		<category><![CDATA[Rodel Tapaya]]></category>
		<category><![CDATA[Signature Art Prize 2011]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3621</guid>
		<description><![CDATA[Grand Prize, Signature Art Prize 2011! that&#8217;s out of 130 nominated works and 15 finalists from the Asia Pacific. and no, this prize isn&#8217;t the one based on people&#8217;s votes ha. wherefore art thou Pinoy pride? Baston ni Kabunian, Bilang Pero di Mabilang (Cane of Kabunian, numbered but cannot be counted) image from here. more info up at the Singapore Art Museum FB page.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>on Manolo Sicat&#8217;s Matayataya</title>
		<link>http://www.radikalchick.com/on-manolo-sicats-matayataya/</link>
		<comments>http://www.radikalchick.com/on-manolo-sicats-matayataya/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 10:38:39 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulahan]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[Manolo Sicat]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[Pinoy sculpture]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3618</guid>
		<description><![CDATA[White is what greets you when you enter the gallery that’s been transformed into a playground by Manolo Sicat’s Matayataya. The first reaction is one of joy: the kind that play allows, no matter how old we get, especially because it is reminiscent of the kids that we were when the streets were safe to play in. But it sinks in soon enough: play here is everything and violent, because the streets have changed, because the streets are now testament to&#8230;<a class="moretag" href="http://www.radikalchick.com/on-manolo-sicats-matayataya/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Aquilizan-loving!</title>
		<link>http://www.radikalchick.com/aquilizan-loving/</link>
		<comments>http://www.radikalchick.com/aquilizan-loving/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 03:46:25 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Alfredo and Isabel Aquilizan]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Pinoy art]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3606</guid>
		<description><![CDATA[Because objects tie us to home, the things we carry are about the self we want to keep. Where there is no packing lightly when objects come to represent who we are, where we’ve been, where we hope to go. Where the usefulness of objects becomes secondary to the task of keeping, if not holding tight, lest self and memory and meaning are lost in the act of leaving. But notions of migration – not just movement – are carried by the&#8230;<a class="moretag" href="http://www.radikalchick.com/aquilizan-loving/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>on Digging In The Dirt, an exhibit</title>
		<link>http://www.radikalchick.com/on-digging-in-the-dirt-an-exhibit/</link>
		<comments>http://www.radikalchick.com/on-digging-in-the-dirt-an-exhibit/#comments</comments>
		<pubDate>Tue, 25 Oct 2011 11:27:54 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[Digging In The Dirt]]></category>
		<category><![CDATA[Martin Honasan]]></category>
		<category><![CDATA[Pinoy art]]></category>

		<guid isPermaLink="false">http://www.radikalchick.com/?p=3534</guid>
		<description><![CDATA[and how art criticism fails in this country. stop talking to the artists! start looking at their work! The endless gaze in Digging In The Dirt In literature we always say the author is dead, a convenient and highly questionable concept really that allows the reader a pretense of reading only the text, ignoring as much as possible the notion of the writer as center of truth. In reviewing art, it still seems like a contradiction to do an interview with&#8230;<a class="moretag" href="http://www.radikalchick.com/on-digging-in-the-dirt-an-exhibit/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>beyond the penis, do we care about Pinoy art?</title>
		<link>http://www.radikalchick.com/beyond-the-penis-do-we-care-about-pinoy-art/</link>
		<comments>http://www.radikalchick.com/beyond-the-penis-do-we-care-about-pinoy-art/#comments</comments>
		<pubDate>Thu, 01 Sep 2011 12:04:39 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pangyayari]]></category>
		<category><![CDATA[Antares Gomez Bartolome]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[contemporary Pinoy art]]></category>
		<category><![CDATA[Enjoy Division]]></category>
		<category><![CDATA[Light&Space Contemporary]]></category>
		<category><![CDATA[Pinoy art]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=3083</guid>
		<description><![CDATA[we don&#8217;t. but let me give you some proof. Enjoy Division is a group exhibit not just with a wonderful title, but which had a curatorial note by Antares Gomez Bartolome that the Light&#38;Space Contemporary gallery decided to put down. the said note was critical of Malaysian curator Adeline Ooi&#8217;s assessment of Philippine contemporary art which looked down on us, i.e., &#8220;We already know you were conquered by the Spanish, sold to the Americans, raped by the Japanese and totally fucked&#8230;<a class="moretag" href="http://www.radikalchick.com/beyond-the-penis-do-we-care-about-pinoy-art/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Kulo: before/after hysteria</title>
		<link>http://www.radikalchick.com/kulo-beforeafter-hysteria/</link>
		<comments>http://www.radikalchick.com/kulo-beforeafter-hysteria/#comments</comments>
		<pubDate>Sat, 13 Aug 2011 09:32:22 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[gobyerno]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pangyayari]]></category>
		<category><![CDATA[freedom of expression]]></category>
		<category><![CDATA[Kulo]]></category>
		<category><![CDATA[Pinoy art world]]></category>
		<category><![CDATA[the state of the art world]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=3032</guid>
		<description><![CDATA[Going to art exhibits and events since 2009, I find that what I enjoy most about it is the solitude and silence. I’m not known in art circles (or any circle for that matter) and can go around unobtrusively; on “gallery days&#8221; it’s rare that there are other spectators, least of all someone I know, in these art spaces. It’s a gift, a break I take even as it requires trips to places from UN Avenue in Manila to West&#8230;<a class="moretag" href="http://www.radikalchick.com/kulo-beforeafter-hysteria/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>boiling over: Kulo</title>
		<link>http://www.radikalchick.com/boiling-over-kulo/</link>
		<comments>http://www.radikalchick.com/boiling-over-kulo/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 15:52:36 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[cultural center of the philippines]]></category>
		<category><![CDATA[Kulo exhibit]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[PNoy]]></category>
		<category><![CDATA[visual arts]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=3012</guid>
		<description><![CDATA[there is no excuse &#8212; no excuse &#8212; for a President who not only presumes that 85% of this country are the same kind of Catholic; he also then thinks that this is a valid enough reason to gauge public anger. no excuse for a President who is as bad as Vic de Leon Lima. let me not begin with the fact that his own father died for democracy and freedom, the same things that this President has sacrificed here.&#8230;<a class="moretag" href="http://www.radikalchick.com/boiling-over-kulo/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>the industry of offense, art as sacrificial lamb</title>
		<link>http://www.radikalchick.com/art-as-sacrifical-lamb/</link>
		<comments>http://www.radikalchick.com/art-as-sacrifical-lamb/#comments</comments>
		<pubDate>Wed, 03 Aug 2011 07:43:39 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[relihiyon]]></category>
		<category><![CDATA[irresponsible journalism]]></category>
		<category><![CDATA[Kulo]]></category>
		<category><![CDATA[Mideo Cruz]]></category>
		<category><![CDATA[Pinky Webb]]></category>
		<category><![CDATA[Poleteismo]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2704</guid>
		<description><![CDATA[let me skip the fact that this artwork is old, i.e., this is the nth version of it that&#8217;s been exhibited. let me not do a review of the whole exhibit Kulo here, as i hope to still be able to do that with more time in my hands. in fact, this i feel is more urgent. elsewhere i praise pinky webb. since two days ago, i have completely changed my mind about her. by this fact: upon a complaint, and&#8230;<a class="moretag" href="http://www.radikalchick.com/art-as-sacrifical-lamb/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>37</slash:comments>
		</item>
		<item>
		<title>Rizal as someone who lived</title>
		<link>http://www.radikalchick.com/rizal-as-someone-who-lived/</link>
		<comments>http://www.radikalchick.com/rizal-as-someone-who-lived/#comments</comments>
		<pubDate>Wed, 20 Jul 2011 04:00:59 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[relihiyon]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Jose Rizal]]></category>
		<category><![CDATA[Rizal as human being]]></category>
		<category><![CDATA[Rizal exhibit]]></category>
		<category><![CDATA[Rizal sesquicentennial]]></category>
		<category><![CDATA[Rizal@150]]></category>
		<category><![CDATA[Yuchengco Museum]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2475</guid>
		<description><![CDATA[It might be out of the way, and painfully in the middle of the corporate hustle and bustle of Makati, but Rizalizing the Future was a good enough reason to leave anti-corporatism in the car and step into the Yuchengco Museum. The hook, and one of the more powerful things in this exhibit, is the inclusion of Team Manila’s contemporary renderings on wood of Jose Rizal in shades (and later on their other Pepe products), in colors too vivid you forget&#8230;<a class="moretag" href="http://www.radikalchick.com/rizal-as-someone-who-lived/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jose Rizal: simple pero rock</title>
		<link>http://www.radikalchick.com/jose-rizal-simple-pero-rock/</link>
		<comments>http://www.radikalchick.com/jose-rizal-simple-pero-rock/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 10:52:40 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[litrato]]></category>
		<category><![CDATA[lugar]]></category>
		<category><![CDATA[produkto]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[sa kalye]]></category>
		<category><![CDATA[hero]]></category>
		<category><![CDATA[Jose Rizal]]></category>
		<category><![CDATA[monuments]]></category>
		<category><![CDATA[philippine sculpture]]></category>
		<category><![CDATA[Rizal sesquicentennial]]></category>
		<category><![CDATA[Rizal@150]]></category>
		<category><![CDATA[sculpture as culture]]></category>
		<category><![CDATA[street sculpture]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2434</guid>
		<description><![CDATA[Over Rizal, Monuments to a Hero had all the makings of superficiality. After all, in light of Jose Rizal’s sesquicentennial his monuments seem like the most flimsy of subjects; in light of the more important question of his continued relevance, this exhibit risked the possibility of being absolutely irrelevant. But there was more here than just photos of Rizal statues, and while the curatorial note speaks of memory and remembering, the sheer number of these monuments across the country surprisingly reminds&#8230;<a class="moretag" href="http://www.radikalchick.com/jose-rizal-simple-pero-rock/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Balut and pinoy pride in Reamillo exhibit</title>
		<link>http://www.radikalchick.com/balut-and-pinoy-pride-in-reamillo-exhibit/</link>
		<comments>http://www.radikalchick.com/balut-and-pinoy-pride-in-reamillo-exhibit/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 09:17:45 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[inuman]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pagkain]]></category>
		<category><![CDATA[produkto]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[sa kalye]]></category>
		<category><![CDATA[Alwin Reamillo]]></category>
		<category><![CDATA[Ang Balut Viand]]></category>
		<category><![CDATA[art exhibit]]></category>
		<category><![CDATA[art installation]]></category>
		<category><![CDATA[balut as pride]]></category>
		<category><![CDATA[pinoy pride]]></category>
		<category><![CDATA[Tin-Aw Gallery]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2286</guid>
		<description><![CDATA[Alwin Reamillo’s Ang Balut Viand exhibit is like balut: it looks like a standard generic egg from the outside, but is an unborn duck on the inside. Which is of course to say that you might not have the stomach for that sisiw literally and figuratively; or find that you actually quite have a taste for it, from sipping that hot balut liquid straight from the shell, to the process of slowly peeling the shell, and downing it whole: the eating of balut isn’t&#8230;<a class="moretag" href="http://www.radikalchick.com/balut-and-pinoy-pride-in-reamillo-exhibit/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>urban culture as national discourse</title>
		<link>http://www.radikalchick.com/urban-culture-as-national-discourse/</link>
		<comments>http://www.radikalchick.com/urban-culture-as-national-discourse/#comments</comments>
		<pubDate>Mon, 25 Apr 2011 17:38:15 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[ibang bayan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[pulitika]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA["My We"]]></category>
		<category><![CDATA["Wrapped"]]></category>
		<category><![CDATA[Pinoy art]]></category>
		<category><![CDATA[Singapore Biennale 2011]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2170</guid>
		<description><![CDATA[Two Pinoy artists were chosen to be part of the Singapore Biennale 2011, and while this might seem like a quirk of fate that’s like most of the grants and awards they’ve individually received before, there is much to be said about the fact that these two artists are Louie Cordero and Mark Salvatus. In an essay written for the Biennale on these two artists, Dr. Patrick D. Flores (Curator, Vargas Museum) draws similarities between Cordero and Salvatus succinctly: These&#8230;<a class="moretag" href="http://www.radikalchick.com/urban-culture-as-national-discourse/"> Continue reading&#160;&#187;</a>]]></description>
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		<title>popularizing the way</title>
		<link>http://www.radikalchick.com/popularizing-the-way/</link>
		<comments>http://www.radikalchick.com/popularizing-the-way/#comments</comments>
		<pubDate>Sun, 24 Apr 2011 10:42:35 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[kapitalista]]></category>
		<category><![CDATA[komentaryo]]></category>
		<category><![CDATA[relihiyon]]></category>
		<category><![CDATA[sa kalye]]></category>
		<category><![CDATA[Bonifacio Global City]]></category>
		<category><![CDATA[Bonifacio High Street]]></category>
		<category><![CDATA[Church Simplified]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[Holy Week 2011]]></category>
		<category><![CDATA[Jesus Christ]]></category>
		<category><![CDATA[popular religion]]></category>
		<category><![CDATA[popularizing Catholicism]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[religiosity]]></category>
		<category><![CDATA[resurrection]]></category>
		<category><![CDATA[stations of the cross]]></category>
		<category><![CDATA[visita iglesia]]></category>
		<category><![CDATA[Walkway: Reflections on the Stations of the Cross]]></category>
		<category><![CDATA[way of the cross]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2152</guid>
		<description><![CDATA[very few things survive the stretch of Bonifacio High Street, save for tents selling real estate. after all there&#8217;s &#8220;public art&#8221; here, ones that don&#8217;t change and are mostly closely guarded: a two dimensional mickey mouse here, an unconventional slide there, an inverted fountain further down. in this context, art of any form, installations of any other kind, would just seem out of place. but the way of the cross as reconsidered and reconfigured by Church Simplified succeeds in this space,&#8230;<a class="moretag" href="http://www.radikalchick.com/popularizing-the-way/"> Continue reading&#160;&#187;</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>jesus as pepe smith as rakenrol</title>
		<link>http://www.radikalchick.com/2143/</link>
		<comments>http://www.radikalchick.com/2143/#comments</comments>
		<pubDate>Tue, 19 Apr 2011 21:48:26 +0000</pubDate>
		<dc:creator>katrina</dc:creator>
				<category><![CDATA[arteng biswal]]></category>
		<category><![CDATA[arts and culture]]></category>
		<category><![CDATA[bayan]]></category>
		<category><![CDATA[kalalakihan]]></category>
		<category><![CDATA[kultura]]></category>
		<category><![CDATA[relihiyon]]></category>
		<category><![CDATA[catholicism]]></category>
		<category><![CDATA[dex fernandez]]></category>
		<category><![CDATA[inked]]></category>
		<category><![CDATA[inked jesus]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[religiosity]]></category>
		<category><![CDATA[tattoed lord]]></category>
		<category><![CDATA[tattoos]]></category>

		<guid isPermaLink="false">http://radikalchick.com/?p=2143</guid>
		<description><![CDATA[Baffling is the tiny art space that is 20 Square in SLab at Silverlens Gallery (Pasong Tamo Ext., Makati City). Sometimes it’s but an extension of the rest of the works in SLab; most other times that I’ve been there, it’s a measure of artists’ creativity in smaller works, something that I imagine is about discipline and control. And then at other times, I am surprised and want to live in 20 Square. Dex Fernandez’sm/ made me want to do exactly that.&#8230;<a class="moretag" href="http://www.radikalchick.com/2143/"> Continue reading&#160;&#187;</a>]]></description>
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