In the five years that I’ve been doing this column, and the nine years of writing independently full-time, the most fulfilling parts of it have been about being able to talk to students who wonder about writing. Often the questions revolve around notions of fear, which automatically go to the presumption of courage: that it is brave to write about things that others wouldn’t write about, or to have a contrary opinion from what dominates the discourse. Yet it would… Continue reading »
And I mean old school blogging via this blog, which first went up in 2008, a gift from my Kuya who had also pushed the mother to start blogging two years earlier. At the time there was an active blogging scene with intellectuals and pundits writing and discussing issues of the day, bouncing off each other, openly debating. Trolling was frowned upon, as was namecalling. Anonymity was put into question. I like to think of that time to have been pre-Joe… Continue reading »
President Duterte has made a big deal about how his government is transparent and incorruptible. We have proven the former false. Given a toothless Freedom of Information (FOI), the threats and attacks on media and critics, and the all-around culture and rhetoric of violence and propagation of fear – we all now know that transparency is nothing but a soundbite. The latter? Well, as with the previous government, we are seeing how sometimes, it’s not even corruption that is the… Continue reading »
The premise of Dear And Unhappy is a simple question: what of Josephine Bracken? Rizal’s wife and / or lover, depending on who you believe. Or depending on your internalized racism against the Irish woman our National Hero was enamored with — it is after all why Bracken remains marginalized in narratives about Jose Rizal’s life; it also has arguably spawned multiple texts about Bracken — the less we know about someone the more exciting our stories about her.
Boses ng Masa is deceptively simple and painfully familiar, which is what’s both good and bad about it: the discussion is worth having, but you can see that ending from a mile away. It’s not that you’ve seen this before, as it is that you have lived it.
The Metro Manila Film Festival (MMFF) is all of six months away, and here we are already talking with such passion about what the film industry needs and what the audiences deserve, quality versus commercial, small film producers versus big production companies, new versus old, change change change. There is very little that we know so far, probably owing to what recently resigned MMFF Execom Member Roland Tolentino has said is a “confidentiality clause” on their work with MMFF. What… Continue reading »
If there’s anything we’ve lost the past year, it’s a sense of propriety and order, of just common sense about what the role is of government and our officials when it comes to speaking to the populace. Sure Daang Matuwid had its own share of communications foibles, and yes they were elitist through and through. And yet the same might be said of the Duterte government, especially his men, who speak with utter carelessness, and then demand us all to see that… Continue reading »
In January this year, Budget Secretary Ben Diokno, faced with queries about the contradiction between what was promised by Rodrigo Duterte during the campaign and what he has ended up doing as President, thoughtlessly made this distinction: “Iba ‘yung candidate Duterte sa President Duterte. <…> May napapangako ka na kapag nakita mo ‘yung datos, hindi pala pwede.” It was a most convenient excuse for the unfulfilled promises of the President – in this instance about the SSS pension increase that… Continue reading »