There is standard that Star Cinema has set when it comes to the romantic-comedy as a genre, and it’s a standard that has since re-set the formula for the effective rom-com, where effectivity is proven by both a movie’s creation of it’s own cult following and box office success. Continue reading »
two links for those who are truly interested in understanding and forming an opinion about the EDSA Revolution of 1986: a version of Chronology of a Revolution was published by the Foundation for Worldwide People Power in 1996, and Himagsikan sa EDSA: Walang Himala! was published by the same, in the year 2000, after it got an Honorable Mention in the Centennial Literary Prize in 1998. both have been online, and free to read, since 2000 for Himagsikan and about two years ago… Continue reading »
It was funny that before I could find where exactly Toilet The Musical was being staged in the Ateneo campus, I first had to happen upon the Rizal Mini Theater where Antigone The Musical was being staged. It made me want to try and get into the latter — for how fun that sounded after all! — but then again, Toilet was making a promise difficult to refuse: it’s an all-original Filipino musical. That it had Ejay Yatco at the helm might be exactly what kept me… Continue reading »
there are friendships that happen later in one’s life, even with people whose names you’ve known for years, that girl who was always just the girl-who’s-the-ex-of-a-friend, or that one you’d see at gigs. you could’ve studied in the same university and college, but remain as nameless faces, or faceless names. a measure really of what else we were doing, how friendships can be as limiting as they are liberating. and how sometimes age and timing — if not twitter — might be… Continue reading »
It was difficult to imagine a musical that could use Aegis’s diverse discography, one that spans 15 years of the band’s existence, and seven albums. From posters and press releases it was clear that PETA’s Rak Of Aegis was using the song “Basang-basa sa Ulan” as center, with the obvious premise of … uh … rain to tell what would be a painfully contemporary story for nation. It was difficult to be optimistic, but it sure was easy to get… Continue reading »
The world knows of the Philippines by now, for reasons other than a senator who refuses to admit to plagiarism, being the setting for the bustling Asian city in “Bourne Legacy,” and a cybercrime law that might be the worst piece of legislation against freedom of expression since the world wide web. There was a time when we could call out the Western eye for gazing at us exotic: the ones who eat duck fetuses, the pretty brown-skinned girls with… Continue reading »
the thing with expectation is that it can be your undoing. for watching theater, i refuse to listen to the soundtrack of a musicale, or to read the script (when available) of a play, lest i start singing (or saying those lines) out loud while sitting as audience. sometimes though, the poster, the press release, is all one needs to build excitement. that is true for Repertory Philippines’ Wait After Dark. sold as a suspense thriller, one could also only be excited… Continue reading »
It’s difficult to imagine childhood without Dolphy, even when all he was to me was the image of a father on television, even as who I identified with was Maricel Soriano or Claudine Barretto playing his daughters in two different sitcoms, across two different generations. At some point this father image became interwoven with that of Enteng Kabisote, father to Aiza. The images are real to me, the characterization of fatherhood that was protective but had difficulty providing, that was… Continue reading »
i hate it when government — anyone in power for that matter – responds to any crisis by falling back on prayer. the only thing worse than that is to have a president that uses prayer to talk about solidarity and “productive actions.” now have the Presidential Spokesperson Coloma say: “While we are praying, perhaps it is good if Filipinos would focus on what they can contribute to make our republic even stronger” and one realizes this whole discourse on solidarity in… Continue reading »
in truth i was so happy for Kim Chiu, showing us all how she is human — a smart one at that — who knows what she owes showbiz reporters and what she doesn’t. it’s the same joy i had about Anne Curtis going crazy in a club, where her sense of self is revealed for all the world to see, and oh yes! there is bite in the sweetie-pie image after all! the latter is why i think these moments… Continue reading »
I agree with some of what Lourd de Vera says (or asks) Vic Sotto in his open letter. I agree that Bossing Vic should aim to do better than a movie filled with product placements. I agree that he should do better than a film where he’s not stuck with a non-kiddie-actor Yap and his mother Kris Aquino. I disagree that this was all Bossing’s doing.
seeing the plays that will kick-off 2014 have reminded me of actors and actresses, performances really, that i actually thought were super galeng, no matter that these might have only happened once for that actor, or three times in 2013. there is also the fact that i’ve promised to be more conscientious about migrating articles and pieces written for elsewhere, to this blog — if only to keep them alive online (local site archival work ain’t that good after all).… Continue reading »
in early December, when i went with my friend Rambie to set-up her soup kitchen for kids in Tacloban, to feed as well in neighbouring towns, we saw what the locals called “housing” along the stretch of the highway. then, even with only skeletal frames, it already looked pretty tight, and one could imagine how congested it was to become.
in the last two months of 2013, many theater productions had to compete with an audience that could only be preoccupied: typhoon Haiyan’s victims were in dire need, and one could only feel guilty about veering away from relief operations. “the show must go on” carried the weight of the tragedy outside of theater. so here, a series of reviews that are happening later than expected, because real life took over. kicking it off with 9Works Theatrical‘s Grease.
Last of three parts. 2013 elections and social (and online) media reveal its class. And its limitations. Social media screamed bloody dynasty at the Binays during the May electoral campaign, when Jejomar’s daughter Nancy decided to run for the Senate, she with no track record of public service whatsoever. This pointed to an arrogance really, where fielding Nancy as Senator was to say that it doesn’t matter why she qualifies, what matters is that her last name is Binay. Yet… Continue reading »
it is a waste of time, but also utterly insensitive and absolutely unnecessary for anyone at all in government to be talking at this point about looting on the one hand, and proposing a level-up on the punishment against looters on the other, obviously contextualized as it is in the aftermath of Typhoon Haiyan. this is what Muntinlupa City Representative Rodolfo Biazon is doing by filing House Bill 3367. he is also missing the point.
2nd of three installments. Pol Medina leaves his mainstream pugad. And finds another mainstream pugad really, that thought it wonderful that you could choose-your-own-punchline on comic strips. But that’s getting ahead of the story. First was a Pugad Baboy strip that was submitted by Medina in April of this year, which was rejected by the Philippine Daily Inquirer. It would then be published in June to public social media outcry.
For three years I put together year-enders on arts and culture and found that there is plenty to be thankful for. There is after all a great amount of productivity, the kind that is independent and persistent. There is also a lot of private money that fuels the arts and culture scene —which is of course to point out how government only comes in when it gets embroiled in questions of censorship and freedom of expression. The latter is a… Continue reading »
down to my last seven highs and lows of Pinoy theater in 2013 (counting Maxie The Musical to have been the sixth in the last installment, Lorenzo the fifth, yes, i might be cheating, haha). i realized that instead of many wonderful productions (there was a lack of it for PETA and Repertory Philippines, unlike in 2012), there were performances this year that were just wonderful, some that saved productions from utter ruin.
for most of the year i was writing theater reviews for GMA News Online, which in October came to an end after a good three-year run. the ending was horrid, where my writing was edited to the point of changing what i was saying about Tanghalang Pilipino’s Der Kaufmann and Red Turnip Theater’s Closer – my last two reviews with GMA. these reviews were published after i said that i was resigning as contributor, given other disagreements with the editor of the Lifestyle Section.
The people on the plane—mostly men—were straining their necks to look out the windows as we descended toward the Tacloban airport. The site was grim: nothing but endless brown land, with nary a structure, and few trees. Landing is no different. While the tarmac is clear, to one side is a sea wall now in shambles, in front of which stands an airport facility standing only on its posts. There is no welcome to be had here, and the people… Continue reading »
been away from this space, and not because i’ve been at it elsewhere, as there has been stretches of times with no more words to use for helplessness and sadness and anger. the twice a week radikalchick column is still happening in The Manila Times, and that seems to have been enough of words, along with FB statuses, and reliefPH.com.